Azure

The Disruptor

FED UP WITH THE STATUS QUO, PETRUS PALMÉR SET OUT TO SHAKE UP THE DESIGN WORLD WITH HEM’S DIRECT-TOCONSUMER MODEL

- WORDS _Catherine Macintosh PHOTOS _Brian Ferry

After years of working as an industrial designer,

Petrus Palmér had become frustrated with his industry. “The products are beautiful, the culture is amazing, the people are great, but how business is being conducted is old-school,” he says. “So, instead of complainin­g about it, I took matters into my own hands and started Hem to be a more progressiv­e design company.”

Now entering its seventh year, the Stockholm-based furniture and accessorie­s brand, which recently opened a New York outpost, continues to reflect that goal.

“Most brands,” says Palmér, “are operating in a traditiona­l business model, partnering with middlemen. That makes them distant, put on pedestals, merchandis­ed and sold by other venues.” Such frameworks, he feels, limit customer feedback and the opportunit­y “to create a culture and a community” around brands and products. Hem made its debut entirely online, allowing it to operate under this paradigm from the get-go. And connection­s were made both easily and immediatel­y.

“The D2C [direct-to-consumer] phenomenon existed when we started out in late 2014, but it was still in its infancy,” Palmér recalls. “It was [really only] Casper and Warby Parker [at the time], but now it has exploded.” Beginning with a small roster of close collaborat­ors, Hem’s network grew organicall­y as positive word of mouth spread. Soon the brand made the foray into bricks and mortar — first with a Los Angeles studio, then with the one just opened in March in New York. This airy Soho space perfectly captures Hem’s philosophi­es. “The core of Hem is to be a platform and an enabler of creatives,” says Palmér, who commission­ed Brooklyn duo Chen Chen & Kai Williams to conceive a site-specific installati­on for it. Made of mirrored glass and steel, the sculpture adds a dynamism to the showroom’s entry, setting the tone for creative consultati­ons, hands-on workshops and product launches. And in lieu of simply carrying establishe­d products, Hem works with designers such as Anderssen & Voll, Max Lamb and Luca Nichetto to develop original pieces just for the brand, showing them off in the sleek new space.

“It’s not trend items, but rather things the designers have been pursuing in terms of materials or aesthetics,” Palmér says. “We like to see a consistenc­y in their language so they have authorship over the work.” hem.com

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 ??  ?? ABOVE: Hem’s appointmen­tonly, intentiona­lly residentia­l-style Soho studio features two large tables for workshops, dinners and consultati­ons.
RIGHT: Pieces from the brand’s collection — including Kumo modular seating by Anderssen & Voll and Staffan Holm’s Alle staggered coffee tables — form a casual vignette in the showroom.
ABOVE: Hem’s appointmen­tonly, intentiona­lly residentia­l-style Soho studio features two large tables for workshops, dinners and consultati­ons. RIGHT: Pieces from the brand’s collection — including Kumo modular seating by Anderssen & Voll and Staffan Holm’s Alle staggered coffee tables — form a casual vignette in the showroom.

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