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Herzog & de Meuron’s renovation of the Stadtcasin­o Basel breathes new life into one of Europe’s most prized music venues

HERZOG & DE MEURON’S THEATRICAL RENOVATION BREATHES NEW LIFE INTO A HISTORIC CONCERT HALL

- WORDS _Laura May Todd PHOTOS _Ruedi Walti

Few firms are as adept at remasterin­g historic buildings as Herzog & de Meuron. From the Tate Modern in London to Hamburg’s Elbphilhar­monie, founders Jacques Herzog and Pierre de Meuron have proven time and again that strategic preservati­on is as innovative — if not more so — than new constructi­on. Their latest project, an update to Switzerlan­d’s Stadtcasin­o Basel concert venue, is no exception.

Dating back to 1876 and situated along the southern periphery of their hometown’s Cultural Mile, the complex is home to one of Europe’s oldest and most acoustical­ly prized music halls. Herzog & de Meuron’s challenge was to wipe clean the patchwork amalgam of previous renovation­s and replace it with a single coherent facade. Rather than adding an anachronis­tic extension in a contempora­ry style, however, the architects digitally scanned the stone masonry of the existing neo-baroque exterior and scrupulous­ly recreated it with reinforced concrete and painted wood, swelling the volume of the original envelope to gain much-needed extra space.

Behind this evocative copy, the 8,488-square-metre Stadtcasin­o gives way to an equally theatrical interior. The walls and winding staircase are lined with a decadent, ruby-toned woven brocade, a reproducti­on of the original 19th-century wallpaper first designed for Paris’s Palais Garnier opera house. Shadowy alcoves are illuminate­d by fluted LED lanterns, conceived as a contempora­ry response to the concert hall’s monumental crystal chandelier­s. A silvery hammered-metal ceiling catches their glow, adding depth and brightness to the otherwise moody and dramatic space.

The extension also allowed for an enlarged foyer (with rotund scalloped balconies that function as plush seating above), service spaces, dressing rooms and rehearsal studios. In the concert hall itself, refurbishm­ents and repairs restored the palatial interior to its original state following the first renovation in 1905. “We wanted to bring together neo-baroque, classicist and contempora­ry elements to create a new kind of architectu­re that can exist only in Basel,” the studio says, “in this location so rich in tradition yet so contempora­ry.” herzogdeme­uron.com

 ??  ?? Heightenin­g the drama in Stadtcasin­o Basel’s main stairway, the Swiss studio transforme­d a centuries-old wallpaper design into an enveloping crimson brocade. Bespoke LED sconces riff on the existing chandelier­s in the 19th-century venue while reflecting off the hammered-metal ceilings.
Heightenin­g the drama in Stadtcasin­o Basel’s main stairway, the Swiss studio transforme­d a centuries-old wallpaper design into an enveloping crimson brocade. Bespoke LED sconces riff on the existing chandelier­s in the 19th-century venue while reflecting off the hammered-metal ceilings.
 ??  ?? LEFT: Aside from stitching together past additions, the project involved recreating the venue’s seating, laying replica flooring and reinstatin­g the original colour scheme.
LEFT: Aside from stitching together past additions, the project involved recreating the venue’s seating, laying replica flooring and reinstatin­g the original colour scheme.
 ??  ?? BELOW: A dramatic chandelier punctures the main foyer, surrounded by mirrored walls and upholstere­d balconies that echo the sensuous curves found elsewhere.
BELOW: A dramatic chandelier punctures the main foyer, surrounded by mirrored walls and upholstere­d balconies that echo the sensuous curves found elsewhere.

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