Azure

Bridging the Past

STAAB ARCHITEKTE­N EXPANDS FRANKFURT’S JEWISH MUSEUM WITH DEFERENTIA­L GRACE

- By Peter Smisek

An addition to Germany’s historic Jewish Museum merges time, space and place.

FRANKFURT’S ORIGINAL MUSEUM OF JEWISH ANTIQUITIE­S — Germany’s first — was barely 16 years old when it was destroyed by the Nazis in 1938. By the end of the Second World War, the vast majority of the city’s 30,000 Jews had been murdered in the Holocaust. In 1988, on the 50th anniversar­y of Kristallna­cht, the city inaugurate­d a new Jewish Museum, this one with two branches: one on the site of Frankfurt’s former ghetto, which is dedicated to Jewish life and culture in the medieval and early modern era, and another situated in a pair of connected mansions, covering the period from 1811 (when

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 ??  ?? The rhomboid building (opposite) allows for an entrance courtyard that links old and new, with Ariel Schlesinge­r’s Untitled fig tree sculpture as a powerful centrepiec­e. Inside, recessed lighting in the subtly textured concrete surfaces augments the balance of spareness and richness.
The rhomboid building (opposite) allows for an entrance courtyard that links old and new, with Ariel Schlesinge­r’s Untitled fig tree sculpture as a powerful centrepiec­e. Inside, recessed lighting in the subtly textured concrete surfaces augments the balance of spareness and richness.

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