Japanese clothing sensation Uniqlo wants us to try it on for size
Japanese apparel giant Uniqlo hopes to win over Vancouver shoppers with its low-priced quality clothing and mindful ethos
Generally, Vancouver has two gears when it comes to clothing: lounge wear and workout wear, both with an emphasis on technical fabrics and comfort. So, when Japanese retail juggernaut Uniqlo announced it would land on our shores in late September, it felt almost overdue. Since 1984, the Japanese company has evolved from a tiny unisex casualwear store in Hiroshima to global cult-fave phenom, thanks to garments using tech-forward, game-changing fabrics (no-stink, no-sweat, light-reflecting—even 3D-printed cashmere is in the works), all at democratic prices. But in a city used to paying triple digits for performance jeggings, will Uniqlo be met with stampedes of customers, or will it be the Target of 2017?
“We believe that Uniqlo's simple yet innovative highquality clothing that's universal in design and comfort can fit perfectly into the active and diverse lifestyle of Vancouverites,” says the company's Canadian COO, Yasuhiro Hayashi. This optimism underpins Uniqlo's West Coast beachhead at Burnaby's Metrotown, which will offer its core range for men, women and kids—including Heattech, garments that trap body heat for warmth, which have sold a billion pieces.
Uniqlo succeeds in local markets because it comes off as a conscientious and well-priced clothing brand, not a giant with annual revenue of US$17 billion that just overtook the Gap as the world's number three specialty apparel retailer after H&M Hennes & Mauritz AB and Zara (Industria de Diseño Textil S.A.).
But the company (unlike Vancouver's other new Asian retail import, Miniso Industries Co. Ltd.) has never positioned itself as disposable fast fashion. “Their production process can take up to one year for a piece of clothing to be fully produced,” says John C. Jay, president of global creative at Fast Retailing Ltd., Uniqlo's parent. Uniqlo doesn't work like other mass retailers: its jeans are crafted by Japanese premium denim manufacturer Kaihara, which has been indigodying textiles since the 1960s. And for any new factory it considers, “sewing whisperers” are flown in to listen to the sewing machines to ensure best quality.
Another deciding factor will be Uniqlo's ability to forge a local connection. In New York, it hosts T-shirt-making workshops for children from homeless shelters, and in a bold global stroke, Britain's Hana Tajima designs hijabs for the company in lightweight fabrics. Domestic collaborations are part of the brand's essence: “Japan doesn't really have many rock stars or film stars because it's a country geared toward community,” Hayashi explains.
And unlike Target Canada's, Uniqlo's supply chain won't depend on a U.S. network (its Canadian head office is in Toronto so it can directly liaise with suppliers), reducing the chance of empty shelves. In a socially progressive city, this mindful global chain's ethos could end up being all things to all people—just like its clothes.
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