Bloomberg Businessweek (North America)

SECRET WEAPON

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Thomas Piketty’s Why Save the Bankers? is the perfect accoutreme­nt for a Bernie Sanders rally. At 210 pages, it’s easier to carry through a crowd than the economist’s 685-page best-seller of two years ago, Capital in the Twenty- First Century. Its title signals that it’s more irascible than the rather academic Capital, too, and more like Sanders when he’s on a roll: Why save the bankers, indeed?

Reading your copy of Why Save the Bankers? (Houghton Mifflin Harcourt, $26) is optional, of course. There’s circumstan­tial evidence from Kindle that few buyers of Capital made it past the intro. What you’ll find if you do dip in is a collection of 48 short pieces— the subtitle is And Other Essays on Our Economic and Political Crisis— originally published in Libération, the center-left French newspaper. The topics range from Piketty’s hopes for President- elect Obama, to the Greek financial crisis, to whether the singlecurr­ency euro zone can hang together. (Lots on that last topic, actually.) Some essays have italicized prefaces for the benefit of American readers who may not remember every detail of, say, the Liliane Bettencour­t affair.

For readers of English, Piketty’s publicatio­n schedule is running backward. First came Capital, a heavy-duty book that forced people to wrestle with the implicatio­ns of wealth inequality of “r> g” ( don’t ask). Last year, after Capital’s surprising success, came the slightly more accessible The Economics of Inequality, which had preceded Capital in the French market. And now the journalist­ic Why Save the Bankers?, which uses columns spanning almost eight years, from 2008 to 2015.

Economists are still arguing over the data and conclusion­s of Capital, the book that vaulted Piketty to fame. In March, three authors from the Federal Reserve Board staff and one from the University of Pennsylvan­ia presented a paper at the Brookings Institutio­n saying that things aren’t as bad as he and others have made out. Wealth and income concentrat­ion at the top, they wrote, has risen by half as much in recent years as Piketty and two other French economists, Emmanuel Saez and Gabriel Zucman, estimated they would.

But even if you discount half of what Piketty claims, there’s plenty for the 99 Percent to be mad about. He offers a solution in one essay: “Taxes are the only weapon that can put a stop to the insane explosion of very high pay.” As a columnist, Piketty is in roughly the same camp as Paul Krugman, the liberal Nobel laureate economist who writes for the New York Times. Piketty is less snarky and jokey, though; slightly further to the left; and more given to grand pronouncem­ents such as “Left to itself, capitalism, because it is profoundly instable and inegalitar­ian, leads naturally to catastroph­es.” Another difference is that Piketty occasional­ly explicates some complicate­d economic topic—like how to structure Social Security taxes— that Krugman would be likely to shunt off to his blog and label “wonkish.”

It appears that Piketty and his publishers are repurposin­g old material to profit from his worldwide fame. There’s nothing g wrong with that. In fact, it demonnstra­tes that he’s learned a lot aboutout capitalism in his recherches— including ding how to exploit its wonderful wealthalth­producing potential. <BW>

A Minnesota startup,

Ideal Conceal, is developing a $395, two-shot pistol that

folds up to look like a smartphone. It will be available later this year, but if you want the semiautoma­tic

version the company’s working on, you’ll have to

wait until 2018.

Because watching a team forecast to lose 94 games isn’t punishment

enough, this season the Atlanta Braves are offering concession items like the “Punisher,”

a barbecue sandwich with a Monster Energy

drink sauce.

which was very successful and turned into my

first book.”

“I did half a dozen tours and hosted True Colors, Cyndi Lauper’s tour. I got to

be with people that I’d idolized— Joan Jett, Debbie Harry, the Indigo Girls—

and watch great rock shows. I went on between every act and learned how

to do large-arena audiences.”

“It was a docu-series, like the Kardashian­s. If it had

happened a few years later, the show would’ve

lasted longer.”

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