Calgary Herald

Enchanting Toledo a cultural wonder

Home to stunning cathedral, the art of El Greco

- RICK STEVES RICK STEVES ( WWW.RICKSTEVES.COM) WRITES EUROPEAN TRAVEL GUIDE BOOKS AND HOSTS TRAVEL SHOWS ON PUBLIC RADIO AND PUBLIC TELEVISION IN THE U.S. EMAIL HIM AT RICK@RICKSTEVES.COM AND FOLLOW HIS BLOG ON FACEBOOK.

On my last visit to Toledo, it seemed holier than ever: Dark El Greco clouds threatened overhead, stark against bright, clear horizons. Hail pelted the masses of people clogging the streets as they awaited the Good Friday procession.

A look back at my write-up reveals nothing but superlativ­es: Toledo’s street plan is the most confusing in Spain, its cathedral the most Gothic (and the most Spanish of all Gothic churches), and the cathedral’s altar the most stunning.

Toledo was once home to Europe’s most powerful king, Charles V, and is papered with the vividly spiritual paintings of the city’s most famous artist, El Greco.

Spain’s former capital crowds 2,500 years of tangled history onto a high, rocky perch protected on three sides by a natural moat, the Tajo River. Toledo is so well-preserved and packed with cultural wonder the city itself has been declared a national monument — no modern exteriors are allowed.

For centuries, Christians, Muslims and Jews enjoyed this city together. Toledo’s past is a complex mix of these three great religions.

Today, Toledo is filled with daytrippin­g tourists taking the quick 30-minute train ride south from Madrid.

And because 2014 marks the 400th anniversar­y of El Greco’s death, the town’s sights have been beautifull­y renovated and are ready for prime time. The two biggies are the magnificen­t cathedral, with a jaw-dropping interior and a sacristy swathed in El Greco’s work, and the Santa Cruz Museum, with its own world-class collection of El Greco paintings.

The cathedral is shoehorned into the old centre, where its exterior rises brilliantl­y above the town’s medieval clutter. The interior is laden with elaborate wrought-iron work, lavish wood carvings, and window after colourful window of 500-year-old stained glass. It’s so lofty, rich, and vast that visitors wander around like open Pez dispensers, whispering, “Wow.”

Drifting among the pillars, it’s easy to imagine a time when the light bulbs were candles and the tourists were pilgrims — when every window provided spiritual as well as physical light.

The cathedral’s spectacula­r altar — real gold on wood, by Flemish, French, and local artists — is one of the country’s best pieces of Gothic art. The complex compositio­n shows the story of Jesus’ life, conveying the Christian message of salvation. The cathedral’s sacristy is a mini-Prado, with masterpiec­es by the likes of Francisco de Goya, Titian, Peter Paul Rubens, Diego Velázquez, Caravaggio, and Giovanni Bellini, not to mention 18 El Grecos.

Born in Greece and trained in Venice, Domenikos Theotocopo­ulos (tongue-tied friends just called him “The Greek” … El Greco) came to Spain to get work as a painter. He found employment in Toledo, where he developed his unique painting style, mixing icon-like faces from his Greek homeland, bold colour and twisting poses from his time in Italy, and almost mystical spirituali­ty from Catholic Spain.

Toledo’s Santa Cruz Museum, now completely open after years of renovation, holds a superb collection of El Greco paintings, including the impressive altarpiece Assumption of Mary. Finished one year before El Greco’s death, it’s the culminatio­n of his inimitable style, combining all his signature elements to express an otherworld­ly event. No painter before or since has captured the supernatur­al world better than El Greco.

True El-Grecophile­s will also want to visit the small El Greco Museum, built near the site of El Greco’s house. It’s worth a stop if only to see El Greco’s panoramic map of the city as it appeared in 1614 (commission­ed to promote Toledo after the king moved to Madrid and the city was no longer Spain’s capital).

A day full of El Greco and the romance of Toledo after dark puts me in the mood for game and other traditiona­l cuisine. Typical Toledo dishes include partridge (perdiz), venison (venado), wild boar (jabali), roast suckling pig (cochinillo asado), or baby lamb (cordero — similarly roasted after a few weeks of mother’s milk).

Plaza de Zocodover is busy with eateries serving edible food at affordable prices, and its peoplewatc­hing scene is great. But it’s worth a few extra minutes — and the navigating challenge — to explore Toledo’s side streets and find places where you’ll be eating with locals as well as tourists.

After dinner, I like to enjoy a tasty leftover from Toledo’s Moorish days, almond-fruity mazapán. Shops all over town sell mazapán goodies in readymade gift boxes, but I prefer to select my own. For a sweet and romantic evening finale, I pick up a few pastries and find a bench on the Plaza del Ayuntamien­to. The fountain burbles to my right, Spain’s best-looking City Hall is at my back, and before me is her top cathedral — built back when Toledo was Spain’s capital, and still shining brightly against the black night sky.

 ?? Photos: Dominic Bonuccelli/postmedia News ?? Lassoed by the Tajo River, no modern facades are allowed in charming and historic Toledo.
Photos: Dominic Bonuccelli/postmedia News Lassoed by the Tajo River, no modern facades are allowed in charming and historic Toledo.
 ??  ?? Thoroughly modern in its disregard of realism, El Greco’s art feels contempora­ry even today.
Thoroughly modern in its disregard of realism, El Greco’s art feels contempora­ry even today.
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