Calgary Herald

MAN WITH A MOVIE CAMERA

The titular man sets off to capture life in a city in this innovative and experiment­al silent film from 1929

- Jon Roe Voxare meets the Man With a Movie Camera: Saturday, April 30 at Rozsa Centre, U of C. 8 p.m. $30 - $40. Part of the Calgary New Music Festival. More info at neworkscal­gary.com.

1 Break the Silence

As part of the Calgary New Music Festival, the Voxare String Quartet is playing with an old movie. Man With a Movie Camera (1929) is a silent masterpiec­e by Dziga Vertov that is less documentar­y—though it was named the best one of all time by Sight & Sound in 2014—than an experiment­al art film. Vertoz wanted to capture 24 hours in a Soviet city but took four years in three cities to get it done.

2 The Michael Bay Connection

In a review written 80 years after the film’s release, Roger Ebert explained that Vertoz wanted to break from the slow-moving tradition of stage plays and take full advantage of the possibilit­ies of the film medium. Other films released in 1929 had average shot lengths of about 11.2 seconds; Man With a Movie Camera’s average was a relatively schizophre­nic 2.3 seconds—about the same as Michael Bay’s Armageddon released in 1998.

3 Two Thumbs Down

At least from the New York Times at the time. In the review, Mordaunt Hall complained that “the producer, Dziga Vertov, does not take into considerat­ion the fact that the human eye fixes for a certain space of time that which holds the attention.” He’s probably glad he didn’t live to see Transforme­rs. (Ebert gave Man With a Movie Camera four stars.)

4 Film Revolution

The rapid cuts aren’t the only thing that makes Man With a Movie Camera stand out from its era. Vertoz experiment­ed with different film effects, including manipulati­ng frame rates to create slow motion and using stop-motion, techniques which have since become ubiquitous. There are also plenty of double exposures, including a scene of the film’s city folding in on itself, to which Christophe­r Nolan paid tribute in Inception.

5 New Tunes

During its original screenings, the film was accompanie­d by a piano player, and there have been plenty of soundtrack­s written for it since, including music by Michael Nyman, the Cinematic Orchestra and Alloy Orchestra. The Voxare String Quartet’s score features works by Shostakovi­ch, Prokofiev and Mosolov.

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