Calgary Herald

Netflix argues against regulation

Investment in Canada ‘substantia­l’

- VICTORIA AHEARN

Netflix makes “substantia­l” investment­s in film and TV production­s in Canada and should not face regulation, argues the streaming company in a submission to Canadian Heritage’s public consultati­on on homegrown content in a digital world.

The submission, filed Thursday, comes two years after Netflix suggested to the Canadian Radio-television and Telecommun­ications Commission that its service did not fall under the Broadcasti­ng Act since it is not a convention­al broadcaste­r.

“We want to continue to invest in content in Canada in the way we have, which means continuing to spend money but not under a system that’s similar to the Canadian broadcaste­rs, where there’s regulation and paying into the (Canada Media) Fund,” Elizabeth Bradley, vice-president of content at Netflix, said in a phone interview.

“We’ve been doing significan­t investment­s on our own and will continue and honestly (it) will only grow significan­tly over the next couple of years. But regulation is not helping to encourage that for us.”

If Netflix was under the Broadcasti­ng Act it would be required to make certain financial commitment­s to Canadian content, which some producers feel it should.

“They’re coasting off the system that existed before and the one thing that’s certain is that you can’t very (well) support a system where half of the system is required to contribute and half the system is not,” said Denis McGrath, a Toronto TV writer and producer who also filed a submission during the consultati­on process.

Still, some other producers back Netflix, noting its investment­s in Canada have helped boost the quality and reach of content here.

“Our partnershi­p with Netflix on both Alias Grace and Anne has allowed two remarkable Canadian adaptation­s to be realized with higher budgets than would otherwise have been possible,” Sally Catto, general manager of programmin­g for CBC Television, said in a statement.

Netflix says in 2016 alone it’s commission­ed hundreds of millions of dollars of original programmin­g produced in Canada. It’s also made “dozens of commitment­s in 2016 for Netflix original movies

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