Calgary Herald

Being 17 a thoughtpro­voking teen drama

Being 17 addresses discomfort of being young, gay and closeted

- TINA HASSANNIA

Being 17 is about two high-school boys who are simultaneo­usly attracted and repulsed by each other. It begins with that most horrifying of adolescent experience­s: being chosen last for a team during P.E.

Thomas (Corentin Fila) and Damien (Kacey Mottet Klein) look at each other with loathing (for both themselves and each other) on the empty bleachers after the rest of their male classmates have been chosen for their respective teams. It’s a moment that speaks to the hidden layers of homophobia in a high-school setting, where boys must demonstrat­e their masculinit­y by outperform­ing others, and where athletics are akin to achieving that “proper” level of masculinit­y.

Which is exactly why Thomas later pointedly trips Damien in front of the entire class; to detract attention from himself as being a weakling or effeminate.

The film is a thoughtful­ly plotted drama about Thomas and Damien’s developing feelings for each other and how their discomfort with being gay and in the closet manifests in aggressive­ly masculine behaviour. Thomas picks fights with Damien, while the high-strung Damien tries to earnestly learn self-defence moves from his ex-military neighbour, who calls Damien’s attitude while fighting “girlie.”

What ends up bringing the boys together is total happenstan­ce. When Damien’s doctor mother, Marianne (Sandrine Kiberlain) provides a home visit to Thomas’s family farm where she determines his mother is pregnant, Marianne is moved by the teenager’s intelligen­ce and good humour.

Realizing the farm work and commute is preventing his success in school, Marianne invites Thomas to live with them, and thus begins a strange relationsh­ip in which the two boys are at odds with each other. They only start to express their truest feelings when a tragedy brings them together.

André Téchiné’s film, co-written by Céline Sciamma (Girlhood), is a nuanced exploratio­n of what it means to reconcile your gender identity with your sexual orientatio­n.

For young homosexual men, the idea of being “manly” can often feel at odds with being gay. Being 17 explores this theme by contrastin­g two characters who share a sexual orientatio­n, but who are otherwise quite different.

Damien is white, while Thomas is biracial; Damien comes from a wealthy home, whereas Thomas grew up on a farm; Damien’s welleducat­ed parents gave him the kind of privileged home where he could express himself more openly, while Thomas’s upbringing is mired by minor family woes that are never discussed.

Despite all this, Thomas is more naturally confident, while Damien is awkwardly pushy and needy.

The expression­s of their sexuality and comfort with being gay differs greatly and can been seen as manifestat­ions of both their unique personalit­ies and personal background­s.

The film’s emphasis on the beautiful rural countrysid­e of the rugged French mountains and the seasonal weather helps underscore the ebb and flow and constant change in the two boys’ dispositio­n and beautifull­y symbolizes their character growth. It’s a delight to watch these two boys — on their way to becoming men — challenge each other before they finally embrace.

 ?? PACIFIC NORTHWEST PICTURES ?? Kacey Mottet Klein, left, and Corentin Fila star in Being 17, a thoughtful drama about the characters’ feelings for each other.
PACIFIC NORTHWEST PICTURES Kacey Mottet Klein, left, and Corentin Fila star in Being 17, a thoughtful drama about the characters’ feelings for each other.

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