Calgary Herald

Netflix relying on big data for survival

Personaliz­ation of content for users vital to survival

- JOSH MCCONNELL

Many companies toss around tech buzzwords such as algorithms, machine learning or big data, but few embed them deep enough into their DNA that their business depends on them.

Netflix Inc. is one such company. It needs big data and algorithms to survive since it depends on getting more people to watch ever more programmin­g, which means it must serve the most appropriat­e shows or movies for each of its more than 93 million subscriber­s. Otherwise, the company said, people will quickly move on to another activity to fill their time, threatenin­g what has become a US$62-billion business.

“We (use) all of the informatio­n we have: what people watch, when they watch, how much do they watch, what time of day, on what device, what they watch (before or after) and on what profile,” said Todd Yellin, Netflix Inc.’s vicepresid­ent of product innovation, during a media briefing.

“Some of that data is junk, some of it is gold and we figure out how to leverage that data to put the right content in front of the right people at the right time.”

Yellin’s team specialize­s in making the discovery process easier for users by adding new features that reduce friction for people to get into content faster. “We are addicted to the methodolog­y of A/B testing,” he said. “We run over 200 tests a year. And until something shows green, that the people are getting more value for their money by streaming more hours on Netflix or sticking around Netflix and retaining better, we don’t launch a feature.”

As an example, Yellin points to a new content rating system for users that will soon be rolled out globally to replace Netflix’s longstandi­ng five-star methodolog­y, which the company has discovered has several flaws.

For one thing, there were too many steps involved in the rating system and subscriber­s tended to rate something they liked more often than things they didn’t, skewing the results to the positive side. The company said it’s received more than 10 billion five-star ratings.

“We made ratings less important, because the implicit signal of your behaviour is more important,” Yellin said. “We try to measure how important it is when you click ‘play’ on a title and watch for 20 minutes versus if you watched and binged for six hours.”

As a result, Netflix will give subscriber­s a thumbs-up, thumbsdown rating system, which it believes is easier, quicker and involves less thought. The company began testing it last year and ratings increased more than 200 per cent.

“The most important work I think we do is around personaliz­ation,” said Reed Hastings, the company’s chief executive, during a Q&A session. “This idea that the more you watch, the more Netflix learns your tastes. Personaliz­ation is really the thing that the Internet can do that linear (distributi­on) can’t, and that’s a real breakthrou­gh.”

Netflix’s algorithms look at more than just an individual’s history when it comes to serving recommenda­tions. The company said it also tries to contextual­ize suggestion­s based on regional preference­s as well as what it calls global “taste clusters.”

For instance, someone who watches a lot of action flicks will get more suggestion­s in the same genre, but Yellin said the taste clusters help the algorithms to also recommend unlikely titles in completely different genres.

“We have over 1,300 taste communitie­s,” he said. “We’re finding these clusters of people and then we’re figuring out who’s like you, who enjoys the same kinds of things, and then we’re mixing and matching those.”

Netflix is using the large amount of data it collects to also introduce another new, machine-learning feature called “percent match.” Like popular online dating websites or mobile apps, the feature will use personaliz­ation algorithms to match people with a TV show or movie.

“We’re trying to create our own love story between people and content,” Yellin said.

In addition to receiving recommenda­tions for titles with a higher match percentage, subscriber­s will be able to see how strong the match is on a specific title, unless the match is below 55 per cent.

“Are we perfect at this? Far from it. If we were perfect at this, we’d show you one title whenever you come to Netflix and we’d be sure that’s the one you want,” he said.

“So we try to be transparen­t with you. The only things we’re not transparen­t about are sometimes the secret sauce in our algorithms and machine learning and what we do there.

“We invest a lot in them and that’s proprietar­y.”

Some of that data is junk, some of it is gold and we figure out how to leverage that data to put the right content in front of the right people at the right time.

 ?? PHOTOS: NETFLIX ?? Todd Yellin, Netflix Inc.’s vice-president of product innovation, shows the confirmati­on screen of the company’s new thumbs-up, thumbs-down rating system that will soon replace its longstandi­ng five-star methodolog­y. The system is part of the company’s...
PHOTOS: NETFLIX Todd Yellin, Netflix Inc.’s vice-president of product innovation, shows the confirmati­on screen of the company’s new thumbs-up, thumbs-down rating system that will soon replace its longstandi­ng five-star methodolog­y. The system is part of the company’s...
 ??  ?? Netflix believes its new thumbs-up, thumbs-down rating system is easier, quicker and involves less thought than its five-star ratings method.
Netflix believes its new thumbs-up, thumbs-down rating system is easier, quicker and involves less thought than its five-star ratings method.

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