Calgary Herald

IN EXCESS

Matt Tyrnauer’s documentar­y explores the heady days (and nights) of Studio 54

- CHRIS KNIGHT cknight@postmedia.com twitter.com/chrisknigh­tfilm

Studio 54 wasn’t built in a day; it took almost six weeks. And the downfall of the famed Manhattan nightclub didn’t happen right away either. That was almost three years later, when cofounders Ian Schrager and Steve Rubell were sentenced to prison for tax evasion. They served 13 months.

Filmmaker Matt Tyrnauer (Citizen Jane: Battle for the City, Scotty and the Secret History of Hollywood) spends most of his documentar­y’s 98 minutes on the heady times in between the nightclub’s April 1977 opening and the founders’ 1980 sentencing. Schrager then sold the club from prison, and it staggered on under new management for another decade, but it was never the same.

But what a heyday. The owners incorporat­ed Studio 54 as Broadway Catering, and bought daily liquor licences to get around the fact that for months they didn’t have a permanent one.

Everyone who was anyone would go — Liza, Andy, Freddie, Jackie, Elton and, judging from the many photos of equines, Trigger.

An assistant from the time reveals that Keith and Mick would get comped but the rest of the Rolling Stones had to pay

at the door; that’s how exclusive it was.

And then Rubell bragged: “Only the Mafia does any better but don’t tell anybody.” Unfortunat­ely, he was talking to a reporter. The IRS read the story. And the raid turned up drugs, a ledger with a column marked “skim,” and evidence that the White House chief of staff had used cocaine there.

Tyrnauer walks a fine line with his film, managing to at first glamorize the glory days of the club and then deliver a suitably sombre tone in the documentar­y’s final third, which also covers the AIDS -related death of Rubell in 1989.

Extensive candid interviews with Rubell back in the day and with Schrager, now a hearty 72-year-old, help on that front. “Studio 54 wasn’t a nightclub,” he says today. “It was like a kind of social experiment. That’s why it’s never been able to be recreated.” He concludes simply: “It was fun.”

 ?? FILMS WE LIKE ?? Studio 54 was the epicentre of 1970s hedonism — a place that not only redefined the nightclub, but also came to symbolize an entire era.
FILMS WE LIKE Studio 54 was the epicentre of 1970s hedonism — a place that not only redefined the nightclub, but also came to symbolize an entire era.

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