Calgary Herald

CMA’s top song this year is anyone’s guess

With pop songs and crossovers nominated for CMA’s big awards, it’s definitely a horse race

- KRISTIN M. HALL

NASHVILLE The U.S. midterms may be over, but the contest for the year’s best country songs is just around the corner at the 2018 Country Music Associatio­n Awards.

The two categories — song of the year and single of the year — look similar, with three songs nominated in both, but the writers behind thehitssay­theseaward­sarehard to predict. Nominees include a monster pop song that went country, country songs that went pop, a message song for the #MeToo era and, of course, drinking songs. Song of the year is awarded to songwriter­s, while single of the year goes to the artist, producer and mixing engineer.

The CMA Awards will air live on CTV2 Wednesday from Nashville, Tenn. Here’s a look at the single and song of the year nominees:

Drowns the Whiskey by Jason Aldean featuring Miranda Lambert, nominated for single and song of the year:

This song was originally pitched for country singer Tyler Farr, says Josh Thompson, who co-wrote the song with Brandon Kinney and Jeff Middleton. When it didn’t make Farr’s album, Aldean grabbed it and turned it into a No. 1 hit.

The three writers were on the road in 2013 when they wrote it, staying up until 4:30 in the morning while drinking whiskey to finish it, Thompson said.

“I am huge believer in the idea that you’ve got to get in the character of your song,” he said.

Broken Halos by Chris Stapleton, nominated for single and song of the year:

Mike Henderson has written with Stapleton for years, long before they were both in the bluegrass band The Steeldrive­rs and way before Stapleton broke out with his 2015 solo debut, Traveller.

“I was reading Keith Richards’ biography and he had a chapter called Broken Halos, and as soon I saw it, I was like, ‘Whoa, song title,’” Henderson said.

The track won the best country song Grammy earlier this year, making it a strong contender in both CMA categories, and the emotional way Stapleton sings the song makes it a fan favourite.

“We’ve had a lot of folks say that the song had a really special meaning for them — people that have lost a loved one, who had been through some personal tragedy,” Henderson said.

“It does seem to touch people, which as a songwriter, you’re trying to do.”

Tequila by Dan + Shay, nominated for single and song of the year:

Dan Smyers and Shay Mooney genuinely love tequila. They drink it on tour and at home, but the duo wasn’t really looking for party song about getting drunk.

“So we flipped that,” said Smyers. “Tequila was basically the trigger that took you back to a certain place, so it’s a nostalgic heartbreak song, which is kind of Dan + Shay ’s wheelhouse.”

Meant to Be by Bebe Rexha and Florida Georgia Line, nominated for single of the year:

It’s the song that has dominated country music for all of 2018. The inescapabl­e, record-breaking monster hit has surpassed one billion streams, achieved four-times platinum status and reached No. 2 on the Hot 100 chart.

Songwriter David Garcia wrote the song in Los Angeles with Rexha, FGL’s Tyler Hubbard and songwriter Josh Miller and it was originally released on Rexha’s 2017 EP, All Your Fault: Pt. 2.

“There is a little more merging of L.A. and Nashville now more than ever,” Garcia said.

Garcia said while he’d love to see the song win, he’s not putting any bets down. He attributes the song ’s success in part to Rexha’s huge streaming popularity.

But it’s also a polarizing contender with many arguing it’s not a true country song and its crossover success could turn off some more traditiona­lly-minded CMA voters.

Body Like a Back Road by Sam Hunt, nominated for song of the year, and Drinkin’ Problem by Midland, nominated for single of the year:

Both songs were created in part by the songwritin­g-producing power duo Shane McAnally and Josh Osborne, but they are on different spectrums of the genre.

Hunt’s 2017 hit crossed to pop and became a five-times platinum success with a catchy, finger-snapping rhythm. But even McAnally admits to being a bit surprised about seeing it pop up on the nominee list again after it lost last year in the same category (Better Man, written by Taylor Swift for Little Big Town, won the prize).

Even though it was not released in the eligibilit­y period, Hunt’s song made the second ballot because it remained a Top 5 country single. The fact that Body Like a Back Road hasn’t won any CMA Awards, despite being nominated three times, suggests that pop crossovers might not be the key factor to winning.

“There’s a five-way race for this one,” McAnally said of the song of the year category. “There’s not a Girl Crush that feels like a steamrolle­r. I just don’t know who could win.”

Meanwhile, Midland broke out as a neo-traditiona­list band with Drinkin’ Problem, a George Straitstyl­e throwback. “I would love to see it win single of the year because of its traditiona­l sound,” McAnally said. “(Single of the year) is about commercial impact, but I’ve always thought about it as the sound of the record.”

Drunk Girl by Chris Janson, nominated for song of the year:

Most country singers steer away from politicall­y charged topics, but during the #MeToo movement, Janson had a pointed message for men. “Take the drunk girl home,” he sings, and walk away.

Janson said he wrote the song with Tom Douglas and Scooter Carusoe long before #MeToo spread virally last year, but with Brett Kavanaugh’s confirmati­on hearings this year, the song was more relevant. “I am not really a soapbox guy,” Janson said. “I just write what I write and sing what I sing. I do believe in the message very powerfully, and I am glad that it is connecting.”

 ?? AMY HARRIS/THE ASSOCIATED PRESS ?? Jason Aldean took Drowns the Whiskey, a castoff from another country singer, and turned it into a bonafide hit.
AMY HARRIS/THE ASSOCIATED PRESS Jason Aldean took Drowns the Whiskey, a castoff from another country singer, and turned it into a bonafide hit.

Newspapers in English

Newspapers from Canada