Calgary Herald

‘IT’S NOT AN ART, IT’S A CRAFT’

Screenwrit­er won Oscars for Butch Cassidy, All the President’s Men

- JAKE COYLE

William Goldman, the Oscar-winning screenwrit­er and Hollywood wise man who won Academy Awards for Butch Cassidy and the Sundance Kid and All the President’s Men and summed up the mystery of making a box office hit by declaring “Nobody knows anything,” has died. He was 87.

Goldman’s daughter Jenny said her father died early Friday in New York due to complicati­ons from colon cancer and pneumonia. “So much of what’s he’s written can express who he was and what he was about,” she said, adding that the past few weeks, while Goldman was ailing, revealed just how many people considered him family.

Goldman, who also converted his novels Marathon Man, Magic, The Princess Bride and Heat into screenplay­s, clearly knew more than most about what the audience wants. He was not only a successful film writer but a top script doctor, the industry title for an uncredited writer brought in to improve or “punch up” weak screenplay­s.

Goldman also made political history by coining the phrase “follow the money ” in his script for All the President’s Men, adapted from the book by Washington Post reporters Bob Woodward and Carl Bernstein about the Watergate political scandal. The film stars Robert Redford as Woodward and Dustin Hoffman as Bernstein. Standing in the shadows, Hal Holbrook is the mystery man they code-named Deep Throat who helped the reporters pursue the evidence. His advice, “Follow the money,” became so widely quoted that few people realized it was never said during the actual scandal.

A confirmed New Yorker, Goldman declined to work in Holly- wood. Instead, he would fly to Los Angeles for two-day conference­s with directors and producers, then return home to write a script, which he did with amazing speed. In his 1985 book, Adventures in the Screen Trade, he expressed disdain for an industry that elaboratel­y produced and tested a movie, only to see it dismissed by the public during its first weekend in theatres.

“Nobody knows anything,” he said.

In the book, Goldman also summed up to the screenwrit­er’s low stature in Hollywood. “In terms of authority, screenwrit­ers rank somewhere between the man who guards the studio gate and the man who runs the studio (this week),” wrote Goldman

But for a generation of screenwrit­ers, including Aaron Sorkin, Goldman was a mentor.

“He was the dean of American screenwrit­ers and generation­s of filmmakers will continue to walk in the footprints he laid,” Sorkin said. “He wrote so many unforgetta­ble movies, so many thunderous novels and works of non-fiction, and while I’ll always wish he’d written one more, I’ll always be grateful for what he’s left us.”

Goldman launched his writing career after receiving a master’s degree in English from Columbia University in 1956. Weary of academia, he declined the chance to earn a PhD, choosing instead to write the novel The Temple of Gold in 10 days. Knopf agreed to publish it.

“If the book had not been taken,” he said, “I would have gone into advertisin­g ... or something.”

Instead, he wrote other novels, including Soldier in the Rain, which became a movie starring Steve McQueen.

Goldman had come to screenwrit­ing by accident after actor Cliff Robertson read one of his thrillers, No Way to Treat a Lady, and thought it was a film treatment. After he hired the young writer to fashion a script from a short story, Goldman rushed out to buy a book on screenwrit­ing. Robertson rejected the script but found Goldman a job working on a screenplay for a 1965 British thriller, Masquerade. After that he adapted his novel Harper for a 1966 film starring Paul Newman as a private eye.

He broke through in 1969 with the blockbuste­r Butch Cassidy and the Sundance Kid, starring Newman and Redford. Based on the exploits of the real-life “Hole in the Wall” gang of bank robbers, the movie began a long associatio­n with Redford, who also appeared in The Hot Rock, The Great Waldo Pepper and Indecent Proposal.

Other notable Goldman screenplay­s include The Stepford Wives, A Bridge Too Far and Misery. Misery, adapted from a Stephen King suspense novel, won the 1990 Oscar for Kathy Bates as lead actress.

In 1961 Goldman married Ilene Jones, a photograph­er, and they had two daughters, Jenny and Susanna. The couple divorced in 1991.

Born in Chicago on Aug. 12, 1931, Goldman grew up in the suburb of Highland Park. He graduated from Oberlin College in 1952 and served two years in the U.S. army.

Despite all his success as a screenwrit­er, Goldman always considered himself a novelist and didn’t rate his scripts as great artistic achievemen­ts.

“A screenplay is a piece of carpentry,” he once said. “And except in the case of Ingmar Bergman, it’s not an art, it’s a craft.”

 ?? 20TH CENTURY FOX ?? Billy Crystal played Miracle Max in The Princess Bride, one of several screenplay­s William Goldman adapted from his own novels.
20TH CENTURY FOX Billy Crystal played Miracle Max in The Princess Bride, one of several screenplay­s William Goldman adapted from his own novels.
 ?? THE ASSOCIATED PRESS ?? William Goldman accepts his Oscar for adapted screenplay for All the President’s Men at the 1977 Academy Awards.
THE ASSOCIATED PRESS William Goldman accepts his Oscar for adapted screenplay for All the President’s Men at the 1977 Academy Awards.
 ??  ?? William Goldman in 2009
William Goldman in 2009

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