Calgary Herald

Sequel lacks charm

Rom-com followup fails to deliver on promise of original

- SONIA RAO

To All the Boys: P.S. I Still Love You Streaming, Netflix

The sequel to To All the Boys

I’ve Loved Before opens with its teenage protagonis­t, Lara Jean Covey, head over heels for her dreamboat of a new boyfriend, Peter Kavinsky. She frolics around her messy bedroom, singing along to Then He Kissed Me in an homage to the opening sequence of the film Adventures in Babysittin­g, until her younger sister enters the room to shut off the music. “Seriously, Lara Jean?” Kitty says. “Now is not the time to be fantasizin­g about living in an ’80s movie.”

These words from young Kitty, who has consistent­ly proved to be the wisest character in this series, rise above their intended meaning: Now is also not the time for a film that fantasizes about being from the ’80s, relying on tired tropes of the genre.

As a followup to what probably ranks among Netflix’s most successful romantic comedies to date — the company is notoriousl­y stingy with statistics — To All the Boys: P.S. I Still Love You, based on the second book in Jenny Han’s trilogy, had a high bar to clear. It barely comes close to meeting it.

That’s not to say the original film skirted rom-com traditions. To All the Boys is, at its core, the story of a bookish girl and a pretty-boy jock who embark on a mutually beneficial “fake relationsh­ip” but who wind up falling for each other instead. Lara Jean (Lana Condor) aims to convince her longtime neighbour she is no longer in love with him and Peter (Noah Centineo) tries to make his ex jealous, forming two love triangles — a square, perhaps? — recalling those of teen comedies past.

But To All the Boys manages to subvert those traditions by giving its characters depth. Lara Jean stands up for herself when the moment calls for it, unafraid to point out when people treat her poorly. Peter isn’t actually the lacrosse bro he seems to be, exhibiting a gentle playfulnes­s that made viewers across the country swoon over him (and, for a moment, over the actor portraying him).

P.S. I Still Love You, on the other hand, sticks to a traditiona­l love triangle by introducin­g Lara Jean and Peter’s former classmate, John Ambrose Mcclaren (Jordan Fisher), who received one of Lara Jean’s childhood love letters that Kitty mailed out in the first movie. Fisher does what he can with John Ambrose, but, aside from a charming scene where he reveals he goes by two names because of Lara Jean, the character is never granted enough complexity to avoid being a flat “good guy” foil for Peter.

To All the Boys spent its full runtime investing viewers in a relationsh­ip that P.S. I Still

Love You begins to doubt almost immediatel­y, via John Ambrose’s introducti­on and Lara Jean’s insecuriti­es about Peter. The sequel, directed by Michael Fimognari, sets out to explore what happens after a big movie kiss, but actually reveals that Lara Jean isn’t ready for what comes next.

 ??  ?? Lana Condor
Lana Condor

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