Canadian Geographic

JAMES CAMERON

1954- | Kapuskasin­g, Ont.

- BY JOE MACINNIS RCGS Honorary Vice-president

WHEN I’M JUDGING an explorer on their merits, I have five criteria: who they put on their team; the nature of their task; the technology they use or invent to accomplish it; the terrain with which they engage; and the question “How majestic is their story?”

Based on that list, my answer is overwhelmi­ngly James Cameron. He’s led six major deep-sea science and engineerin­g expedition­s: three to Titanic, one to Bismarck, one to Pacific and Atlantic hydrotherm­al vent systems and, of course, one to the Challenger Deep (his solo dive to the bottom of the Mariana Trench).

Start by looking at his teams. He pulls in the best minds — from NASA, from the Russian Academy of Sciences, from universiti­es all over. He wants to be challenged. So when you’re on an expedition with Cameron, standing at the daily engineerin­g meeting, you’re looking at a room of real cognitive and emotional talent.

And what can I say about his tasks? He’s gone down to 4,000 metres, then 11,000 metres. And crucially, he’s combined those feats with art and science because every expedition has ended with a stunning documentar­y. His primary objective? To inspire a love of science and engineerin­g in young people.

Then we come to technology. Cameron used Russian Mir submarines to dive on Titanic, but then he built his own. His 11-kilometre solo dive to the ocean’s deepest point, in 2012, was done in a sub that came out of his mind. I remember him first talking about the idea for his Deepsea Challenger submersibl­e in 2003. Over the years, he took it to sketches, which he and his team then took to computer graphics, to blueprints, to models, and finally to the real beast. He’s also invented lighting and camera systems, and was an advisor to NASA on the cameras and lights used on Mars.

Finally, his stories. Cameron’s documentar­ies Ghosts of the Abyss (investigat­ing Titanic) and Aliens of the Deep (exploring life in Atlantic and Pacific mid-ocean ridges and volcanic vents) were groundbrea­king, but not to be forgotten are his feature films in which the ocean is central: The Abyss and Titanic. For all its gifts, Titanic in particular shifted our understand­ing of the ocean and its power. Meanwhile, I would argue that Avatar is the most important environmen­tal film ever made in terms of audience reach. How many hundreds of millions saw that? As Cameron will tell you, it was informed by insights he gained exploring those deep-sea vents years before.

‘CRUCIALLY, CAMERON HAS COMBINED HIS FEATS WITH ART AND SCIENCE.‘

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