Cape Breton Post

Oscar winner Jonathan Demme presents movie on Naples musician at Venice Film Festival

- BY COLLEEN BARRY

VENICE, ITALY — Jonathan Demme’s first experience hearing the music of Italy’s Enzo Avitabile was such perfection that the Oscar-winning filmmaker said no one would believe it if he put it on film.

“I can recall this moment very vividly because it was just a very impactive life moment,” Demme said in an interview at the Venice Film Festival, where his movie “Enzo Avitabile Music Life” premiered out of competitio­n.

Demme was in New York City driving toward the George Washington Bridge, on his way home after a long day working, when he flipped on the radio and heard Avitabile being announced — picture-perfect timing.

“And now, I am seeing the bridge and the highway and the cars speeding by, with this extraordin­ary music, unlike anything I’d ever heard before,” Demme said. “’I loved his voice, a tremendous rhythmic presence. Suddenly my life had gotten thrilling. I was in some adventure film.”

Demme said he immediatel­y got his hands on all of Avitabile’s music, which melds jazz with pop music and Afro-American beats and sacred chants. And when invited to a film festival in Naples, he asked the organizer to arrange a meeting with the Neapolitan musician. The organizer did more than that: he proposed they make a film together, and rustled up financing from Italy’s RAI, the state broadcaste­r which has a cinema arm.

Demme, best known for his Oscar-winning movie “Silence of the Lambs” as well as “Philadelph­ia” and “Rachel Getting Married,” had previously made music documentar­ies about the Talking Heads and Neil Young — so it was easy to say yes.

“I believe that filming great live music is as pure a filmmaking experience as exists,” Demme said. “Because you are not doing a documentar­y, you are not creating an artificial reality. It’s you channeling this completely creative process that’s happening right now in front of the lens.”

As a filmmaker, he said the challenge is to capture on film the relationsh­ips between the musicians as they play, and to get as long

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