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Music, culture and history come together with park project in Kahnawà:ke

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Ka’nhehsí:io Deer

When artist Owisó:kon La‐ hache retired from teach‐ ing three years ago, she wanted to find a way to bring music, art, and his‐ tory to her community in a fun and interactiv­e way.

Now, her idea is coming to life with a musical park in Kahnawà:ke, south of Mon‐ treal.

The project, which has yet to find a permanent outdoor home in the Kanien'kehá:ka (Mohawk) community, will feature several themed sculptures and a nine-metre steel pergola styled as a tra‐ ditional longhouse that will help both residents and visi‐ tors connect to music with in‐ teractive instrument­s.

"One of the things that I thought would be fabulous, especially for the young peo‐ ple and visitors alike, is to learn about us but at the same time, be an outlet for the young people to come and just jam," said Lahache, who taught art to high schoolers for 35 years at Kahnawà:ke Survival School.

The percussion instru‐ ments featured in the park include a vertical amadinda, xylophone, cymbals, mushroom bells, pipe drums, steel drums, and cowbells. The base of each instrument is made of wooden sculp‐ tures painted by Lahache with visual representa­tions of the Ohén:ton Karihwatéh­k‐ wen, or Haudenosau­nee thanksgivi­ng address.

"It's the words that come before everything else, so whenever we have any kind of event or places where we need to remind each other of how we're supposed to walk the Earth, we do this thanks‐ giving address," said La‐ hache.

"It's very important for us to acknowledg­e that creation is still doing everything that it's supposed to."

Collaborat­ion with Kah‐ nawà:ke Tourism

The project is a collaborat­ion between Kahnawà:ke Tourism and is funded by Canada Economic Develop‐ ment for Quebec Regions, which provided a non-re‐ payable contributi­on of $193,000 under the Tourism Relief Fund.

Soraya Martinez Ferrada, minister of Tourism and min‐ ister responsibl­e for Canada Economic Developmen­t for Quebec Regions, said in a statement that the project is "a unique opportunit­y to showcase the living Kah‐ nawà:ke culture, at the heart of our incredible cultural her‐ itage that is so diverse."

"Thanks to projects such as this one, we can move for‐ ward together into the future with more strength and re‐ silience."

Kimberly Cross, Kah‐ nawà:ke Tourism's develop‐ ment manager, hopes it be‐ comes a space for both com‐ munity members and visitors to learn about Kanien'ke‐ há:ka culture and history. The park will include QR codes to direct visitors to learn about Haudenosau­nee history, hear

Haudenosau­nee social songs and the thanksgivi­ng ad‐ dress.

A temporary installati­on of the sculptures is on dis‐ play and open to the public this week at the Kahnawà:ke Youth Center. Cross said it's an opportunit­y for commu‐ nity members to try out the instrument­s, and give feed‐ back on where the park should be located.

"When we were doing our set up, I was watching my lit‐ tle boy play with all of the dif‐ ferent instrument­s and for me, that was kind of the best part," said Cross.

"When we started talking about this project, I didn't know that he liked music .... It meant so much more when I saw him playing the instru‐ ments yesterday. He enjoyed himself. I hope that more kids are going to have that."

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