Designlines

Gusto 501

After 18 months of constructi­on, Gusto’s East End outpost is worth the wait by CAROLINE AKSICH photos by ARASH MOALLEMI

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Flour, water, salt, eggs: restaurate­ur Janet Zuccarini has always seen the potential in things, be they pizzas, pastas or buildings. With Gusto 101, she transforme­d a mechanic’s garage into a buzzy Italian spot that enlivened a then-derelict stretch of Portland Street. Now, with humble building materials – steel, terracotta, glass and wood – Zuccarini is transformi­ng Corktown.

Despite the name, Gusto 501 is not an East End reincarnat­ion of its West End counterpar­t. “This is about progressin­g and pushing boundaries,” says Zuccarini, who gave architectu­re studio Partisans carte blanche for the project. Boszko & Verity Inc. built it.

From the street, immense glass sheets framed by three storeys of weathering steel beckon passersby to gaze inside at the equally dramatic interior. A floating blackened steel and walnut staircase winding its way from the first floor to the rooftop dominates the voluminous space, which is bookended by walls clad in 6,500 terracotta bricks. Cut to create a rippling effect and embedded with LEDS,

they produce an effect like dining al fresco beneath a starry sky – an atmosphere enhanced by the all-glass ceiling and facade. In warmer weather, the latter (one of the largest operable facades in the world) opens to complete the vibe.

The 205-seat restaurant serves brunch, lunch, small plates and dinner across multiple dining areas. On the ground floor, black granite wraps around the open kitchen, while on the mezzanine, Gusto’s wine collection – featuring nearly 500 bottles – provides a more intimate backdrop. Higher still are Attico (a floating dining room with its own kitchen) and the cocktail bar opposite it, which have some of the best seats for voyeurs. Further up, the staircase opens onto the aerie, a rooftop patio with an unobstruct­ed view of the skyline.

Chef Elio Zannoni’s menu has a few carry-overs from Gusto 101, such as the famed kale salad, but most of the plates are new, including plant-based creations like the chlorophyl­l-dyed mushroom risotto. Mains like a roasted lamb neck are faultless, but it’s Gusto’s appetizers and sides that sing. A mussel and chickpea polenta plate swimming in a tangy tomato sauce spiked with smoked paprika is delectable.

Eighteen months in the making, Gusto 501 is manifold, with several menus and five different dining rooms, yet the restaurant never seems disjointed. What ties it all together is Zuccarini’s – and Partisans’ – commitment to taking humble ingredient­s and elevating them to dizzying heights, be they freshly extruded pastas or terracotta bricks. GUSTO501.COM; PARTISANS.COM

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 ??  ?? BELOW Weathering steel responds to the aged brick on the neighbouri­ng building, while the massive recessed windows are fully operable.
BELOW Weathering steel responds to the aged brick on the neighbouri­ng building, while the massive recessed windows are fully operable.
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 ??  ?? ABOVE Three storeys up, a second cocktail bar overlookin­g the main dining space keeps the rooftop patio and Attico (a third-floor dining space with its own kitchen) in high spirits.
ABOVE Three storeys up, a second cocktail bar overlookin­g the main dining space keeps the rooftop patio and Attico (a third-floor dining space with its own kitchen) in high spirits.
 ??  ?? BOTTOM Partisans’ principals stand in front of Gusto 501’s terracotta “dancing” walls. From left to right: Alex Josephson, Pooya Baktash and Jonathan Friedman.
BOTTOM Partisans’ principals stand in front of Gusto 501’s terracotta “dancing” walls. From left to right: Alex Josephson, Pooya Baktash and Jonathan Friedman.
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