Edmonton Journal

Swimming in beauty

Mystical Yucatan waterways both inviting and intimidati­ng

- Sylvia Fraser

Say “sinkhole” to most Canadians and they’ll picture a muddy pit where a highway once existed. Yucatan sinkholes are more likely to be pristine limestone pools, lush with tropical greenery, leading down into a vast, largely unexplored subterrane­an universe of tunnels and caverns. The local name — cenote, pronounced say-no-tay — appropriat­ely means “infinity.”

On a recent trip to Playa del Carmen, I became passionate about these natural wonders, offering delight to swimmers as well as to divers of every capability. My first view down 27 metres through misty waterfalls and shaggy vines into the magnificen­t circular maw of Ik Kil cenote left me awestruck. Usually I prefer to encounter such splendour in solitude, but the exuberance of the swimmers immersed in its luminous waters was so inviting I felt thrilled to be part of their echoing joy.

The shadowy arched stone staircase winding downward could have belonged to a medieval castle. The cenote’s water, 40 metres deep, is some of the freshest on earth, with its darkness turned into patches of emerald by the distant sun. In Mayan times, priests gathered around Ik Kil’s rim to sacrifice humans to their rain god. Much more recently, the Red Bull Cliff Diving World Series took place here. For its most daunting dive — the triple quad — contestant­s must complete four back somersault­s and three twists before striking the water at close to 65 km/h.

Much of the Yucatan was once a reef. Glaciation compacted the surface, leaving a porous limestone shelf. Instead of lakes and rivers, the peninsula now possesses an undergroun­d freshwater network of tunnels and caverns. When currents undermine their roofs, these collapse to create cenotes, allowing human access to the hidden maze Mayans thought to be the home of the dead.

These stunning, sweet-water treasures — possibly 3,000 in number — come in an astonishin­g variety of shapes and sizes, each with its own special lures and seductive dangers. The family-friendly Grand — one of the largest — is a glorious sunken paradise that winds sensuously around a small tropical island before sliding deep under limestone shelves into caverns dripping with stalactite­s.

With a snorkel, you can see the stalagmite­s forming the cave’s lower jaw, now being dissolved by the waters that once so painstakin­gly created them. You can also participat­e, with its fish and turtles, in remarkable light shows caused by the quixotic dance of sunbeams on rock and water. You may even — if you are very very lucky — discover some of the gold, jewels and pottery the Mayans offered to their rain god. That colony of bats in the cavern’s darkest recesses only adds to its surreal magic. Dracula would be at home there.

Jonathan Magallon, a diving guide for Phocea Mexico in Playa del Carmen, compares travelling through the Yucatan’s undergroun­d channels to flying a space ship. The payoff for the risk is the serenity and the silence. As he reports, “In total darkness, the light that enters the water from your lamp is like a laser that goes right to the bottom where it collapses into every colour of the rainbow.”

Some undergroun­d caves have small air holes in the roof. “That light is so dense and pure you can almost touch it,” says Magallon. “It’s very mystical.” Then there is the strangenes­s of returning from the darkness toward the distant light. “If it’s raining outside, that light may be green.”

In some caves, the denser salt water collects under the fresh. Between the two is the halocline, a layer resembling floating oil, creating mirror effects.

According to Magallon, cave divers don’t usually encounter much wildlife on their journeys down under. “Maybe a few freshwater turtles, some shrimp and a kind of eel. There’s also a blind fish that knows by vibrations and chemical reactions what to eat.” Fossils and shells abound from when this system was part of a reef. “It’s like a museum.” And, yes, sometimes one encounters bats.

The first diver to explore an undergroun­d system guides his safe return by laying down a series of lines for others to follow, sometimes with plastic arrowheads showing direction. The most critical calculatio­n is the amount of air needed to complete a journey.

“The deeper you dive, the more air you use in a shorter time,” warns Magallon. “For me, ‘the deep’ begins at 40 metres, but some caves go down 150 metres. The safest plan is to divide the air in your tank in three parts — one to get in, one to get out, and one for emergencie­s such as a leg cramp.”

Though computers help, Magallon doesn’t believe in trusting his life entirely to machines. “Batteries can fail.”

Though Magallon dreams of having the honour of opening up a new cenote, he is restrained by costs. “First, you need maybe 200 kilometres of line and many bottles of air. You may also need two or three people to carry your equipment through the jungle to a cenote that turns out to be just a hole leading nowhere.”

For now, he is content with what he considers the best job in the world — guiding visitors through the Yucatan’s hidden beauty. “When I am underwater, I feel I’m in the right place, and I can just enjoy the tranquilli­ty, the lights and the decoration.”

 ?? Photos: Supplied ?? Light dances on water and rock in Yucatan’s network of spectacula­r undergroun­d channels, known as cenotes.
Photos: Supplied Light dances on water and rock in Yucatan’s network of spectacula­r undergroun­d channels, known as cenotes.

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