Edmonton Journal

Wheels on edge

- Alex Strachan

Hell on Wheels reaches the end of the third season’s road, with miles to go on the Union Pacific’s push to lay railroad track through the Rocky Mountains and, behind the scenes, with the show’s future up in the air.

The Calgary-filmed western shifted in tone this past season (different writers, same characters) but it remained potent. Hell on Wheels takes its western roots seriously. With its gritty, topical subject matter — racial tensions, blind ambition, corporate greed and revenge vs. redemption — Hell on Wheels was never going to be one of those facetious TV westerns where every so often the characters shoot a knowing wink and aside to the camera, as if to say they know the story is silly.

Hellon Wheels gets down in the dirt and grime — literally — and shows the building of a transconti­nental railroad as it must have been: hard, back-breaking work, slow and plodding, one rail at a time, set against a backdrop of big sky and rolling plains.

Saturday’s season finale finds lonely man Cullen Bohannon facing the consequenc­es of his recent actions, and actor Anson Mount has rarely looked more fitting in the role. Bohannon was always a man Hell-bent on getting results, no matter the cost, but results often come with consequenc­es. In the town of Cheyenne, meanwhile, scheming railroad baron Thomas (Doc) Durant (Colm Meaney) faces Gen. Grant and the Union Pacific board, with his future — and that of the railroad — up in the air.

As a genre, the TV western has fallen on hard times lately. It’s hard to imagine a time when there were more westerns on prime-time TV than cop shows, medical dramas and court procedural­s put together, but it happened in 1959. Hell on Wheels is one of the few present-day TV westerns set in the past. The more successful westerns, Heartland, Longmire and Justified, are set against the traditiona­l western backdrop of mountains and prairie, but their stories are based in the here-and-now. Hell on Wheels is unique. It’s based in the past, and yet it remains compelling.

Here’s hoping it does come back, if only for one more season. There’s still a lot of railroad to be built, and history shows it won’t build itself. (AMC — 7 p.m.)

 ??  ?? Mount: work to be done
Mount: work to be done

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