Edmonton Journal

A pessimisti­c look at a declining civilizati­on

- HENRY C. JACKSON

— Dave Eggers is angry. A writer both beloved and criticized for his distinctly sentimenta­l bursts appears to be seething, worried about crumbling institutio­ns, lost privacy, diminished intimacy and humanity in general.

At least, that’s the impression left after digesting Eggers’ new, characteri­stically inventive novel, Your Fathers, Where Are They? And the Prophets, Do They Live Forever?

Told through a series of dialogues on an abandoned military base somewhere in California, Fathers comes on the heels of two recent Eggers novels that have edged around the idea that something is fundamenta­lly broken in American society.

If Eggers’ A Hologram for the King was an almost polite elegy for American industrial­ism and invention and The Circle was a satire cloaking a serious warning about society’s growing reliance on technology, Fathers is a screaming, bleating cry for society to fix itself. It is a frothing, angry, mournful meditation on what is slipping away as America plows on into the 21st century.

Thomas is a youngish man who has been badly shaken by what, we learn, is a society he feels has failed him. Thomas feels wronged, and he is struggling to understand why institutio­ns big and small — NASA, the police, his mother — have failed him and crumbled all around him. Things have become quite desperate: As the novel begins, Thomas has kidnapped an astronaut, Kev, and chained him to a post on an abandoned military base. Thomas’s goal, if he is to be believed, is not to hurt Kev or anyone else but to ask some important questions; to figure out this mess.

Eggers’ decision to make Fathers a continuous dialogue is an interestin­g one. It intensifie­s the already manic qualities of his protagonis­t, Thomas, and makes for a lightning-quick read. But it has its shortcomin­gs — so much dialogue makes exposition difficult to execute without having it feel heavily stage-managed. Some of the dialogue doesn’t really ring true, doesn’t feel all that real. It adds to the feeling that the point of this novel seems to be that it has an important point to make and not so much to tell a story. The plot is almost an appendage, albeit a compelling and at times suspensefu­l one.

As for the point Eggers is trying to make — it is a deeply pessimisti­c one. His society is a society at a loss, utterly perplexed by the serial traumas and changes it is enduring. Thomas is a bit crazed, a bit extreme, but he isn’t written as an outlier. Thomas himself assures us there are many like him, normal people who are completely exasperate­d by modern society, drawn to extremes by growing income gaps and perceived slights and uncertaint­y of where they fit. People like Thomas don’t know why things aren’t the way they used to be, why things aren’t always on the level, why an astronaut can’t even really be an astronaut as such any more.

Great writing is about truth, and Eggers’ truth clearly is very gloomy. But from a writer often defined by his mirth and hopefulnes­s, this is a distinctly pessimisti­c turn.

 ?? F E ST I VA L D E L L E L E T T E R AT U R E . I T ?? The latest novel by Dave Eggers, who is often defined by his mirth and hopefulnes­s, takes a distinctly bleak turn.
F E ST I VA L D E L L E L E T T E R AT U R E . I T The latest novel by Dave Eggers, who is often defined by his mirth and hopefulnes­s, takes a distinctly bleak turn.
 ??  ?? Your Fathers, Where Are They? And the Prophets, Do They Live Forever? Dave Eggers (Knopf )
Your Fathers, Where Are They? And the Prophets, Do They Live Forever? Dave Eggers (Knopf )

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