Edmonton Journal

SLEEPING GIANT

A poignant love letter to adolescenc­e

- CHRIS KNIGHT

Andrew Cividino wanted to set this deceptivel­y simple comingof-age tale in the 1990s, both as a paean to his own youthful summers spent in Northern Ontario, and as “a love letter to the last generation that grew up without constant technology.”

The budget wouldn’t allow it — the film ran out of money once and was made as a short film before being reshot as a 90-minute feature — but the finished product still feels remarkably timeless. Three boys — two locals and one from away — spend a summer goofing around and growing up on the shores of Lake Superior. (The film’s title refers to a prominent rock formation near Thunder Bay.)

Jackson Martin stars as Adam, whose boring summer at a cottage with his parents gets a shot of adrenalin when he befriends rambunctio­us cousins Riley and Nate, played by actual cousins and assured first-time actors Reece Moffett and Nick Serino. (That’s their real grandmothe­r in the film, too; you can’t make this stuff up!)

The boys test themselves by cliff-diving (actually cliff-jumping), working their way up to Todd’s Cliff, named after the first guy stupid enough to make the leap. And as Adam starts noticing local girl Taylor, his I’m-down-with-the-kids dad embarks on his own romantic escapade, which threatens to blow the summer up real good.

Cividino exhibits a flawless grasp of the rhythms and rites of adolescenc­e, and made sure the soundscape, from the lap of waves to the local birdsongs, were a perfect match.

James Klopko steps up with cinematogr­aphy so perfectly you can almost feel the heat shimmering off the screen. And Chris Thornborro­w and the band Bruce Peninsula deliver a raucous soundtrack.

The result is indeed a love letter to a time of life and a place in the north. Small wonder Sleeping Giant was warmly received at last year’s Cannes Film Festival, won the best Canadian first feature at the Toronto festival, and was a runner-up for the Toronto Film Critics Associatio­n prize for best Canadian film of 2015.

But with summer around the corner, there’s no better time and place to watch it than here and now.

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