Edmonton Journal

Tension as thriller, police tale intersect

- OLINE H. COGDILL

I Let You Go Clare Mackintosh Berkley

The death of a five-year-old boy in a hit-and-run accident on a rainy British evening jumpstarts I Let You Go, which melds an intense psychologi­cal thriller with a suspensefu­l police procedural.

A bestseller when it was released last year in the U.K. and now making its U.S. appearance, I Let You Go revels in surprises and twists that keep readers off-kilter.

Little Jacob lets go of his mother’s hand when they are across the street from their home in Bristol, England. The car “comes from nowhere,” as so often happens, killing Jacob. The car idles for a few seconds, the driver aware of the child’s death, before speeding away. The grief that follows is understand­able, but how it affects those involved imbues this outstandin­g story with a poignancy not easily forgotten.

Sculptor Jenna Gray is so traumatize­d that she walks away from her home, leaving almost everything behind, and relocates to a remote village in Wales. There, she keeps to herself, living in a dilapidate­d cottage, trying to be “invisible.” With no phone and no friends, she’s cut off contact with the world.

Back in Bristol, Detective Inspector Ray Stevens and his team, which includes a new member, detective constable Kate Evans, sift without luck through the scant evidence and try to locate Jacob’s mother.

Author Clare Mackintosh allows her story to breathe as it unfolds over a two-year interval. Yet at the same time, the story never lags. A shocking twist that comes in the middle enhances the story and forces the reader to re-evaluate each character’s movements.

As time passes, Jenna emerges from her exile as a hermit, becoming a photograph­er with modest success snapping beach shots for a tourist trade. She adopts a puppy and becomes drawn to the local veterinari­an, as bits of her past are revealed. The detectives are forced to work on Jacob’s case on their own time because other highprofil­e cases demand attention.

Mackintosh keeps the suspense high while smoothly incorporat­ing several points of view.

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