Life after Dead Don’t Die
Cast and crew of zombie flick reveal, dissect their worst fears
The Cannes Film Festival began on an odd note: the horror-comedy The Dead Don’t Die, directed by Jim Jarmusch and starring Bill Murray, Adam Driver, Chloë Sevigny and Tilda Swinton. For a festival that prides itself on cultivating art house flowers, zombies was a change of pace. So it seemed appropriate to ask cast and crew to name their personal zombies and what scares them most.
For Jarmusch, it’s environmental change. His film blames an ill-defined fictional mining operation — “polar fracking” — for a shift in the Earth’s axis that creates the zombie plague.
“Watching nature decline at unprecedented rates in the history of humanity is for me terrifying,” he said. “A failure to address something that threatens all living species in a very rapid decline; that disturbs me and scares me a lot.”
Selena Gomez, 26, making her first appearance in a Jarmusch film, echoed his comments but added: “For my generation specifically ... social media has been terrible. I understand that it’s amazing to use your platform, but it does scare me when you see how exposed these young girls and young boys are. They’re not really aware of the news or anything going on. I don’t think people are getting the right information sometimes.”
Murray, always the wild card in an interview setting, declared: “I find Cannes frightening.” When it was pointed out that there have been no zombie sightings on the Croisette, the former Ghostbuster replied, “Says you.”
The Dead Don’t Die name-checks George A. Romero, the modern master of the zombie genre. And while Jarmusch said he’s more a fan of vampires — his 2013 film, Only Lovers Left Alive, starred Swinton and Tom Hiddleston as such creatures of the night — he owes a debt of gratitude to the filmmaker, who died in Toronto in 2017.
“Horror is not my biggest expertise,” he said. “But Romero is extremely important because he really changed the idea of zombies.” Classic movie monsters like Godzilla or Frankenstein, he noted, are threats from outside human society. “Zombies come from within our collapsing social structure, and they also are victims as well.”
Asked what it was like to work on a comedy with Jarmusch, Murray responded: “He’s a barrel of laughs. He doesn’t need my help with the sense of humour particularly. We just work on posture and manners.” It wasn’t clear if he meant his own or those of the director: Murray exists in a comic bubble of potential misunderstanding.
As if to prove that, he then went off on a tangent about what a dangerous business moviemaking is, beginning with “the danger and the jeopardy we went through just getting into this building today. I think trying to keep light and realize that this could be the last day of shooting every single day is a way to come to work. You try to treat it that way and then you try to treat everyone on the set that way. You want to be one less burden for the director.” Into the silence that followed he added: “I hope I’ve confused you.”
The Dead Don’t Die has a dark undercurrent: “This isn’t going to end well” is a line frequently uttered by Driver’s character, who plays a junior cop alongside Murray in the small town where the film takes place. But Jarmusch reminded the press that it’s not all doom and gloom, as when another character remarks: “The world is perfect. Appreciate the details.”
“In the midst of watching our planet being in really grave danger now ... For myself appreciation of human consciousness is something so incredibly beautiful, and we don’t even know in the universe how rare it is to have consciousness and to appreciate the tiny moments of our lives every day. I wanted that somehow in the film too, and not just the fatalism of it.”
We’ll leave the last word on philosophy to Murray. “I believe in life after death,” he said. “But not for everyone. So head’s up! Some of you I’ll see and some of you I might not.”