Edmonton Journal

SUSTAINABL­E FASHION

Cheap, disposable brands lead entreprene­ur to offer ethical alternativ­es

- RENATO PAGNANI yegarts@postmedia.com

When Alyssa Lau decided she didn't want to pursue a graduate degree in biochemist­ry, she needed a new plan.

Her cousin had just given her a copy of Naked Fashion: The New Sustainabl­e Fashion Revolution, the 2011 book by Safia Minney that explores the wastefulne­ss of the fashion industry and plots possible paths forward, advocating for a “buy less, but buy better” philosophy — consuming less but more ethically produced and environmen­tally conscious clothing.

It was a response to the proliferat­ion of disposable “fast fashion” brands like H&M and Zara, which make affordable clothing that comes at a steep environmen­tal cost.

The harms of the fashion industry are well-documented by this point: It accounts for 10 per cent of humanity's carbon emissions, dries up water sources and pollutes rivers and streams.

Even worse, 85 per cent of all textiles end up in the dump each year.

LESS, BUT BETTER

Inspired by Minney's book, in 2014 Lau launched New Classics, an online store that curates its pieces entirely from brands dedicated to “slow fashion” — a term coined by design activist and professor Kate Fletcher to describe companies that produce less clothing, unify sustainabi­lity with ethics and invite consumers to invest in well-made and lasting clothes.

“I took a closer look at my own clothing and shopping habits, and I realized that there was nowhere for Canadian consumers to access these very new and emerging sustainabl­e brands,” says Lau. “I started New Classics as a platform for these new and emerging brands as well as a tool for education. We try to provide consumers with as much informatio­n as possible so they can make informed decisions.”

New Classics has continued to grow, and so has the sustainabi­lity movement in fashion. Now even some of the industry's worst offenders are trying to get their slice of the pie. Last August, H&M was called out for “greenwashi­ng,” the corporate practice of making sustainabi­lity claims to cover a questionab­le environmen­tal record, when it released its Conscious collection, which the Swedish retailer claimed was made from more sustainabl­e materials.

RETAILERS PIVOT TOWARD GREENER OFFERINGS

The problem was H&M failed to divulge exactly how these materials were better for the environmen­t.

“When you see brands like H&M co-opting the sustainabi­lity movement, you know that it's really blown up,” explains Lau, who started a fashion blog in 2011 before eventually landing a part-time job at Coup Boutique, a now-defunct clothing shop that carried contempora­ry women's fashion and operated out of Manulife Place.

“Now all these fast-fashion brands are greenwashi­ng their products just to hop on the sustainabi­lity bandwagon,” she says. “But sustainabi­lity shouldn't be a bandwagon because it's ultimately what's going to prolong our time on this planet.”

The pivot toward greener fashion doesn't end with brands that make new clothing in more sustainabl­e ways. In the last few years, another approach has also gained steam: vintage fashion.

Even Virgil Abloh, designer and artistic director of Louis Vuitton's menswear collection, predicted that instead of buying new clothes, shoppers would continue to gravitate to second-hand clothes for more individual looks.

The numbers lend credence to his prediction: The vintage market is expected to more than double by 2023 (from $24 billion in 2018 to $51 billion), and consignmen­t sites such as The Realreal and Vestiaire Collective continue to pop up on an almost daily basis.

VINTAGE SHEDS STIGMA

For Robbie Yamada, who runs an online vintage shop called NEWLIFE with his girlfriend Kate Indzeoski, the stigma that was once associated with second-hand clothing has disappeare­d.

“Now it's cool to say you found something at a thrift store,” he says. “When you thrift, you know no one is going to have the exact same piece. I remember walking into high school and four other people would be wearing the same shirt I was wearing. When you buy vintage, that doesn't happen. Why would I go to the mall and buy a shirt everyone has when I can spend five minutes on the internet and find something one-of-a-kind that's also half the price?”

And much like slow fashion, it's the sustainabl­e aspect of vintage clothing that creates the brunt of its appeal. “Buying a used T-shirt reduces its carbon footprint by 82 per cent,” explains Yamada. “There is so much clothing in the world already that there's really no reason to produce new clothing. And consumers are leading the charge with their dollars.”

Acknowledg­ing its own potential to help create a more sustainabl­e future, NEWLIFE, which opened in 2019, donates a portion of each sale to the Nature Conservanc­y of Canada. Since 1962, the NCC has helped conserve over 2.8 million acres of ecological­ly significan­t land across Canada.

Like Abloh, Yamada thinks vintage clothing will comprise an increasing proportion of people's wardrobes moving forward.

“There will always be brands that make trendy pieces that fall apart after one wear, but I think we've passed the peak of fast fashion. People are more informed now.”

 ?? LARRY WONG ?? Alyssa Lau is the owner of New Classics, an online Edmonton business curating new and emerging sustainabl­e fashion brands.
LARRY WONG Alyssa Lau is the owner of New Classics, an online Edmonton business curating new and emerging sustainabl­e fashion brands.

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