ELLE (Canada)

WILD AT HEART

Kenzo designers Humberto Leon and Carol Lim tap into a frenetic mix of influences and fairy-tale bursts of colour to bring H&M’s latest collab to life.

- By Stéphanie Chayet Photograph­s by Owen Bruce

HUMBERTO LEON kneels to adjust a tiger-striped boot, while Carol Lim buttons a long faux-fur coat that model Bhumika Arora has just slipped into. The scene is the first floor of a photograph­y studio in Manhattan. Leon and Lim, co-creative directors for Kenzo, are going through the final try-on of their collection for H&M, which is still top secret. Perhaps to prevent a leak, the official date for announcing this collaborat­ion— the 15th between the Swedish ready-to-wear giant and a major fashion house—has just been pushed forward and the air is charged with electricit­y. The racks are full of flowers and leopard spots, lime-green and bubble-gum-pink prints, pleated and quilted silk, kimono sleeves and flamenco-dancer ruffles—in other words, an exotic wardrobe spiced up with streetwear, neon shades and animal prints: the Kenzo formula.

Launching on November 3 in 250 stores worldwide and online, this collection confirms the success the duo has had stirring up the Parisian house, which was founded in 1970 by Kenzo Takada and sold to LVMH in 1993. Leon and Lim, best friends since meeting at the University h

of California, Berkeley, made their name with their Opening Ceremony stores, mixing young internatio­nal designers, house collection­s and moreestabl­ished brands. “Their style is young, vibrant, playful and multicultu­ral,” says AnnSofie Johansson, creative adviser for H&M and the director of the project. “It’s an approach we like.” Dedicated to expanding the reach of the label, Leon and Lim would be hardpresse­d to find a better platform than this collab. “People want to be able to treat themselves to a small part of a legendary Parisian label without leaving their hometown,” says Leon. “These collaborat­ions are meant to introduce exclusive brands to a new audience.”

The designers also see this as an opportunit­y to pay tribute to the brand’s heritage. Before now, Leon and Lim had not made use of the Kenzo archives. Having grown up in the suburbs of Los Angeles, they drew more upon California’s streetcult­ure codes to rejuvenate the Parisian fashion house. Now, for the first time, they are fusing the present and the past. “We’ve brought back certain silhouette­s and certain historic prints and closely combined them with our own,” they explain. “The entire collection is a dialogue between us and Kenzo Takada. The brand is almost 50 years old; it’s a good time to present its story to new generation­s.”

The backstory is one of a fashionmad young Japanese designer who landed in Paris after a long ocean voyage and opened a boutique in the Galerie Vivienne as brightly coloured as a painting by Henri Rousseau. That was in 1970, and the brand was known as Jungle Jap. The fabrics came from Tokyo and Paris’ Marché SaintPierr­e, and the clothes were produced upstairs on a rented sewing machine. The impact was tremendous. Well ahead of the rest, Kenzo created a pop style that mixed all kinds of folklore, from Japanese flowers to African tribal motifs. His style was cheeky, fresh and accessible. His clothes were worn by the likes of Grace Jones and Jerry Hall and the young people who danced at Le Palace, Paris’ hottest nightclub in the late ’70s. An inveterate party person, Kenzo also spent his nights at clubs, surrounded by an exuberant band of friends.

When the LVMH group handed the keys to the house over to Leon and Lim in 2011, they had no problem relating to the founder. Like Kenzo, they started their designing career at the back of their own shop with whatever was at hand. Also like him, they surround themselves with people who feed their inspiratio­n. “Kenzo Takada worked with musicians and artists,” they say. “With Opening Ceremony, we adopted the tradition of group creativity too. We believe in the idea of community.” The duo has tapped everyone from independen­t filmmaker Spike Jonze, actor Jason Schwartzma­n and fashion icon Solange Knowles to rocker Kim Gordon and the eternal It girl Chloë Sevigny. Leon and Lim’s affinity for the Parisian label is so natural that photograph­er JeanPaul Goude, who knew Kenzo well at the height of his career, described them as the designer’s “spiritual heirs.”

The collaborat­ion with H&M is reminiscen­t of Kenzo’s golden age: For example, details like ruffles edged with grosgrain ribbon are inspired by a collection from 1973 and a tigerstrip­ed look is a reissue of a 1980s style. Leon and Lim’s contempora­ry touch is present in tiger sweatshirt­s and Tshirts (the landmark pieces of their reign), baseball caps, oversized varsity jackets, big leopard spots and reversible styles. Prices range from $14.99 for a monogramme­d Tshirt to $549 for the flagship piece—a heavy ruffled dress with kimono sleeves constructe­d out of various prints from the collection. It’s a democratic style that looks like nothing else. And that was the original credo of Kenzo himself. n

 ??  ?? Shirt, top and skirt (Kenzo x H&M), vintage jeans (Levi’s), tights (Wolford), ring (Janis Savitt), ring (Jules Smith), earrings (Jennifer Fisher) and boots (Roberto Cavalli)
Shirt, top and skirt (Kenzo x H&M), vintage jeans (Levi’s), tights (Wolford), ring (Janis Savitt), ring (Jules Smith), earrings (Jennifer Fisher) and boots (Roberto Cavalli)
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 ??  ?? Carol Lim and Humberto Leon with model Bhumika Arora
Carol Lim and Humberto Leon with model Bhumika Arora

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