ELLE (Canada) - - Insider -

BRENT GOLD­SMITH PHO­TOG­RA­PHER The gig Toron­to­nian Gold­smith cap­tured Vir­gil Abloh’s very cool new space in Toronto for “The Takeover” (p. 57). In­te­gra­tive work “I al­ways en­joy pho­tograph­ing creative in­di­vid­u­als—it’s a bal­ance of con­fi­dence and get­ting what you need in a timely man­ner.” KIERA SPRONK EDITORIAL AS S I S TA N T The gig Orig­i­nally from An­tigua, Toronto denizen Spronk as­sisted with the styling of “Fresh Crop” (p. 114) and had a fash­ion fairy-tale mo­ment when she posed in Saint Lau­rent rhine­stone boots. For­ever dream­ing of… “A life­time sup­ply of biki­nis. An is­land girl can never have too many!”


The gig Ger­man-born, NYC-based Mach­hausen is so over heavy contouring and gave cover star Jes­sica an ex­quis­ite fresh glow in­stead. Aes­thetic es­sen­tial “Face oil from the Korean brand Espoir—I can’t live with­out it!”


The gig For Tan­za­nian-born Paul, who spent her teens in Ot­tawa and now lives in NYC, work­ing with pho­tog Owen Bruce was the high­light of shoot­ing “Stop Traf­fic” (p. 101): “When Cana­di­ans get to­gether, we cre­ate magic.”

Mak­ing an im­pact “I’m pas­sion­ate about ed­u­ca­tion for girls be­cause when you ed­u­cate a girl, you’re giv­ing her power, and you can’t take that away.”


The gig Philip­pines na­tive Tallo is the new­est ad­di­tion to the ELLE Canada team. A high­light of his work? Col­lab­o­rat­ing with tal­ented peo­ple in the in­dus­try: “It’s a team ef­fort.” Post­ing predilec­tion “I use both In­sta­gram and Snapchat— In­sta­gram is con­ve­nient but more pub­lic, whereas Snapchat is more niche.”

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