BUFFY SAINTE-MARIE

The folk artist on her second act, protest music and raising goats in Hawaii.

FOR MEDICINE SONGS, YOU RE-RECORDED SOME OF YOUR OLDER TRACKS. WHY NOW?

People are better informed. I first put out “My Country ’Tis of Thy People You’re Dying” in the 1960s and people thought, the little Indian girl must be mistaken. Now, because of the Truth and Reconciliation Commission and more public awareness, a lot of people finally understand what I was singing about then.

YOU’VE SAID THE SONGS ARE ABOUT EMPOWERMENT AND OPPRESSION. WHY IS MUSIC A POWERFUL FORM OF EXPRESSION FOR YOU?

A three-minute song with information and emotion can reach far more people than a 400-page textbook can. A song is replicable; it’s memorable. You can sing it in different languages. You can travel with it.

HOW ARE THE NEW RECORDINGS DIFFERENT FROM THE ORIGINALS?

Some songs are identical in instrumentation to the original recordings. I play “Universal Soldier” every single night on my guitar, and I’d never use a band with it. I left it and some others alone because they were right in the first place. But for some songs, I was happy to have a second chance. As a musician you improve over time, so I think all of the tracks on Medicine Songs are better than their originals.

YOU’VE LIVED IN HAWAII FOR OVER 50 YEARS. WHAT DO YOU ENJOY ABOUT THE ISLANDS?

I love animals and nature and that’s what I have here: a garden and a bunch of goats and a cat. When I’m out on the road, I’m like a sponge that’s squeezing all that goodness out to the audience, and home is my place to refill.