Exclaim!

If Beale Street Could Talk

- MATT BOBKIN

Directed by Barry Jenkins

Moonlight director Barry Jenkins is about to break our hearts all over again with another gripping tale of black love. Adapting James Baldwin’s novel, If Beale Street Could Talk charts the relationsh­ip of Tish Rivers (Kiki Layne) and Fonny Hunt (Stephan James), lovers torn apart by a racist cop who puts an innocent Hunt in prison while Rivers deals with her pregnancy. In the age of Black Lives Matter and Trump, Baldwin’s 1974 novel is as relevant as ever, and Jenkins stays faithful to the source material for another resonant, powerful entry to his strong body of work. Jenkins’ steady directoria­l hand and simple styling allows the film to simply haunt, presenting an all-too- familiar reality and letting it linger.

Hopping around before and during Hunt’s incarcerat­ion, Layne and James are the film’s anchors; their stellar performanc­es run the gamut from doeeyed love to soul-crushing heartbreak, and both deliver star-making turns. The story navigates between the high of unbridled, reciprocat­ed love and the low of being falsely punished for a crime, crushed under the weight of seemingly uncontroll­able factors. But as devastatin­g as the subject matter is, there’s a powerful undercurre­nt of hope, tenderly conveyed. Layne and James’ multifacet­ed performanc­es never lose their emotional depth, bringing forth plenty of warmth and belief to the grimmest of scenes. This is what makes Beale Street a vital counterpoi­nt to the seemingly endless stream of fraught headlines that mark today’s tumultuous times. There’s plenty of tragic moments in Beale Street, but Jenkins won’t let you call it a tragedy. It’s about hope and love.

Jenkins hammers these messages home by reuniting with some of the key behind-the-scenes contributo­rs to Moonlight’s historic Best Picture win in cinematogr­apher James Laxton and score composer Nicholas Britell. Laxton takes a similar head-on, slowburnin­g approach that again finds the characters staring deep into the audiences’ souls, but swaps out Moonlight’s oceanic blues and greens for an oaky brown palette. Britell’s score augments the warmth with rich, sweeping strings. On all fronts, If Beale Street Could Talk is a triumph, carrying its tragic weight with poise and assurednes­s. It’s a heartbreak­ing look at an all-too-real phenomenon that looks deeply inward to find a lot of joy. (eONE)

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