Exclaim!

Bonny Light Horseman

- ALLIE GREGORY

Bonny Light Horseman came together like magic, so it makes sense that their music feels like alchemy. Anaïs Mitchell, Josh Kaufman and Eric D. Johnson formed after a chance booking at Aaron Dessner and Justin Vernon’s Eaux Claires festival in 2018. The trio come from equally impressive and diverse background­s: Mitchell is the mastermind behind Tony Awardwinni­ng musical Hadestown; Eric D. Johnson’s claim to fame is his ’00s band, Fruit Bats; and Kaufman — among many things — is a collaborat­or of the legendary Bob Weir of the Grateful Dead, and co-produced 2016’s Day of the Dead, a charity covers compilatio­n from the National’s Bryce and Aaron Dessner.

These many influences tangle in blissful harmony on the group’s selftitled debut, and make for a dynamic blend of contempora­ry and traditiona­l English Isles folk, with some songs’ origins dating back hundreds of years and others co-written by the trio as recently as 2019. Opener “Bonny Light Horseman” (featuring a seductive tenor sax) was the inspiratio­n behind the band’s name — not the other way around. Based on a 19th century English-Irish folk ballad, the song tells the story of a handsome soldier who may never return home. The band found the song “emblematic” of what they were trying to accomplish within the group, calling it a tune that makes you “feel something — no matter what century you’re in.”

And that it does. So do the following two tracks, “Deep in Love,” which originated as a Fruit Bats sketch, and the Mitchell-led “The Roving,” about the end days of a romantic relationsh­ip. Deeply rooted in universal human experience, the variety and scope of these tracks lend themselves to the timelessne­ss they set out to underscore.

Midway through Bonny Light Horseman, we really begin to hear Kaufman’s influence in “Magpie’s Nest,” “Blackwater­side” and “Lowlands,” a string of Dead-tinged tracks. Bonny Light Horseman’s eponymous debut is rich in folk history and offers a fresh take on centuries-old traditions. For trad-folk fans who like to dig deep, this record is a perfect launching point — there are endless avenues of history to be found here. (37dØ3d)

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