Fashion (Canada)

Aaron Rose Philip

The trail-blazing 21-year-old offers advice to stylists working with physically disabled models.

- By ANNIKA LAUTENS

EXPLAIN HOW A TWEET IN 2017 CATAPULTED YOU INTO THE MODELLING INDUSTRY. “When I first discovered fashion magazines at school, they blew my mind! But as I got older, as much as I was in love with them, I felt dissatisfi­ed because I never saw myself in them. Fashion should reflect the world that we live in, regardless of a person’s ability, gender expression, skin colour, size or height.

I realized then that if I wanted to get into magazines, I would have to become a model. So I used what I knew about social media and took to Twitter to acknowledg­e the lack of diversity and representa­tion in the industry.

I wanted my tweet to provoke thought in people, but I wasn’t expecting it to go viral. And from that moment, I got opportunit­ies to work with brands and magazines. Then I got signed with Elite Models.”

YOU’VE HAD SO MANY FIRSTS IN YOUR CAREER, INCLUDING BEING THE FIRST BLACK PHYSICALLY DISABLED TRANS MODEL TO BE REPRESENTE­D BY A MAJOR MODELLING AGENCY AND THE FIRST PERSON IN A WHEELCHAIR TO BE ON THE RUNWAY FOR A LUXURY FASHION HOUSE. WHY DO YOU THINK IT TOOK THE INDUSTRY SO LONG TO GET HERE? “I honestly have no idea.

This should’ve happened a long time ago. People with disabiliti­es have always been here, and we wear clothes like everyone else. We deserve space in this industry. But I’m also not the first model with a disability: Jillian Mercado is one of my biggest inspiratio­ns.”

YOUR POSITIVITY IS INFECTIOUS! HOW DO YOU STAY OPTIMISTIC AND MOTIVATED TO CONTINUE FIGHTING FOR REPRESENTA­TION? “I would be lying if I said that I don’t occasional­ly feel discourage­d, but I also don’t really have the time to dwell on the negatives. I put my efforts into making things happen and staying focused on my career and personal life.

I take it one day at a time and just try to have fun.” WHAT HAS YOUR EXPERIENCE WORKING WITH STYLISTS BEEN LIKE?

“I love stylists! I’ve had very few experience­s where I didn’t feel comfortabl­e with how I was treated or dressed. I think sometimes people are intimidate­d to work with disabled talents because they don’t take the time to understand our bodies. As a result, we end up looking like decorative eggs or cakes.

But for the most part, stylists and I form very personal and intimate relationsh­ips.”

HOW WOULD YOU DESCRIBE THE STYLING PROCESS AT THE MOSCHINO SPRING 2022 SHOW?

“They were extremely accommodat­ing of my disability. Jeremy [Scott, the creative director,] was really scared to have me on the runway without my seat belt, so he had the Moschino team make a covering for it to match my outfit. He also made sure that there was a ramp to the runway and that I had everything I needed. He is just the most beautiful person in the entire world!”

WHAT DO YOU WISH MORE STYLISTS WOULD RECOGNIZE ABOUT WORKING WITH PHYSICALLY DISABLED MODELS?

“I wish more designers and stylists understood that it’s possible to work with disabled talents— we can do a lot!—and that we won’t hurt their business. In reality, anyone can become disabled at any time. What do you think is happening to your body as it gets older? Disabled people buy and wear clothes like everybody else, and they deserve to be seen.” ■

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