House & Home

The Lakehouse: Chapter 1

Lynda Reeves on finding a vision for her reno project

- Text by LYNDA REEVES Produced by EMMA REDDINGTON

This is my story of designing our renovation of a century-old lakehouse in Ontario. Each month, I’ll offer a new chapter on the challenges and solutions, and a peek at our progress. You’ll be able to see the actual house come together on new episodes of our video series The Lakehouse starting mid-October at houseandho­me.com.

The minute I walked into the great room of our lakehouse, I could see the potential and knew exactly what I wanted to do…. I wish! The truth is, I fell in love with the grace and scale of this wonderful house with its patina of age. Its rooms tell a story of the grandeur of another time, when families would decamp to their summer homes with their whole entourage and settle in for the season .... I loved its quirky nature, with its 11 tiny bedrooms, each with its own sink, its beautifull­y preserved russet-coloured oak floors, miles of fir panelling and, of course, the wonderful views of the lake.

That was it. No vision. Just ideas swirling around in my head for months while we worked out the practical complexiti­es of winterizin­g a one-season cottage (that’s for another chapter) and faced the challenge of working through stay-at-home orders (that’s for a whole book!).

Along the way, I searched for a vision, which is what you must do before you launch into the design phase of any project. I struggled. I did what we all do. I made files of inspiratio­n photos torn from magazines, pinned and pinned until I couldn’t find a thing, sketched from my mind’s eye, and then settled on a few key images that would drive the vision.

Finding your vision is the most important — and, of course, the hardest — part of every project. For me, there are three key things to consider: First, the structure. The architectu­re always defines the potential of the house — good and bad. Second, the light. Where is it coming from, and how do you preserve or enhance it? Third, your style. In the end, whatever you do must reflect your personal taste and lifestyle.

It also helps to know what you don’t want. In my case, I ruled out English country style, even if the house did cry out for it, and the whole rustic log cabin look, which doesn’t suit me.

I was still looking, casting around for how to reconcile all those wood-clad rooms in a fresher and more modern way, when Emma Reddington emailed me photos of a fabulous house in Marin County, Calif., by Commune Design. It was also built in the 1930s and had been renovated to its now cool, relaxed, refined style.

Of course! Mid-century modern furniture mixed with old woven rattan and wicker, and contempora­ry meets quirky bathrooms! This was so helpful. The hitch would be the kitchen. I love a true cook’s kitchen, and I hoped I could build one that would look old world but still feel fresh and a bit modern.

Also, I needed an exterior image that would work for our very horizontal house that had classic wood siding — quickly — so materials could be ordered, along with windows and doors. Now, at least, I had a direction. Next was finding a palette for the exterior, and a few key elements for the inside. Take a look — see what you think!

 ??  ?? Exterior
Window frames, B.C. fir
Roof, B.C. cedar shingles
Siding, western red cedar
Sandy Hook Gray (HC-108), Benjamin Moore
Aged black barn-style sconces
Exterior Window frames, B.C. fir Roof, B.C. cedar shingles Siding, western red cedar Sandy Hook Gray (HC-108), Benjamin Moore Aged black barn-style sconces
 ??  ?? The Inspiratio­n
I liked the pale tones of this exterior by Emeritus, but our doors will stay natural cedar.
The Inspiratio­n I liked the pale tones of this exterior by Emeritus, but our doors will stay natural cedar.
 ??  ?? The new cedar roof is transforma­tive.
Then
The new cedar roof is transforma­tive. Then
 ??  ?? Now
Now
 ??  ?? Bobby McAlpine, the Montgomery­based American architect, is my inspiratio­n. This is his latest book, written with Susan Sully. Poetry of Place. Rizzoli, 2017, $75.
Bobby McAlpine, the Montgomery­based American architect, is my inspiratio­n. This is his latest book, written with Susan Sully. Poetry of Place. Rizzoli, 2017, $75.
 ??  ?? Painted cupboard doors are in Black Satin (2131-10) by Benjamin Moore.
Kitchen Palette
This soapstone slab in Stormy Black from Greensvill­e Soapstone informs the palette.
Painted cupboard doors are in Black Satin (2131-10) by Benjamin Moore. Kitchen Palette This soapstone slab in Stormy Black from Greensvill­e Soapstone informs the palette.
 ??  ?? Then
The Inspiratio­n
Then The Inspiratio­n
 ??  ?? This 1930s house by Commune Design gave me a vision.
This 1930s house by Commune Design gave me a vision.
 ??  ?? Key accent colours will be mustard, teal, inky blue, taupe and Benjamin Moore’s White Dove (OC-17).
Key accent colours will be mustard, teal, inky blue, taupe and Benjamin Moore’s White Dove (OC-17).

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