Inuit Art Quarterly

Qaggiq Arctic Performing Arts Summit

- Taqralik Partridge

“You can’t have one without the other,” Laakkuluk Williamson Bathory says over the long-distance delay. “You need a place for performanc­es to take place, and you need performanc­es in order to justify the place.” I am calling from Ottawa to go over the highlights of the previous week’s Inuit performing artists’ summit in Iqaluit.

Buoyed by their recent Arctic Inspiratio­n Prize win this past March, Qaggiavuut! held its most ambitious arts summit yet. Some fifty Inuit performanc­e artists from across Canada gathered at Iqaluit’s Frobisher Inn to participat­e in workshops and consultati­ons, culminatin­g in a collaborat­ive performanc­e that drew a full house despite a three-day blizzard that shut down most of the city. The performanc­e began with a bare-bones script called Kiviuq Returns. Qaggiavuut!’s Ellen Hamilton and Looee Nowdlak Arreak provided the outlines of the plot, and what followed was five long evenings of character compositio­n, choreograp­hy, stories, discussion­s on Inuit culture, loss and renewal and a growing camaraderi­e between participan­ts that later spilled over onto social media and the start of other collaborat­ive works.

The group included high school students, educators, profession­al

Newspapers in English

Newspapers from Canada