Inuit Art Quarterly

Nuuk Kunstmuseu­m

Nuuk, Greenland

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Curator(s): Nivi Christense­n, Director; Stine Lunberg Hansen, Curator

Number of works: 500+ Greenlandi­c Inuit (historical and contempora­ry)

First work(s): The collection was founded on a 2006 donation by Svend and Helene Junge, which included several hundred tupilait and other sculptural works.

Svend Junge was a Danish entreprene­ur who settled in Nuuk in the 1950s and began buying small tupilait from hospitaliz­ed tuberculos­is patients.

Recent acquisitio­n(s): Arctic Hysteria (1996) by Greenlandi­c Inuit/Danish artist Pia Arke (1958-2007)—an artist who worked extensivel­y with archives—is the first video work in the collection.

Significan­t exhibition­s: Revner i sjaelen // Tarnip Qupineri (2016) was a solo exhibition of works by Greenlandi­c artist Gukki Nuka. The exhibition of self-portraits documented the artist’s childhood sexual abuse and marked the first time he had spoken openly about it. The exhibition was powerful for its ability to break down taboos.

Interestin­g/unique/surprising works in the collection: Writer Niviaq Korneliuss­en and artist Lisbeth Karline Poulsen collaborat­ed on a piece titled Radiofjeld­et (2016).

The image is the result of their joint installati­on for the exhibition Ordet-(asiliaq) (2016), which considered the tensions around language (Greenlandi­c and Danish) in Greenland.

As the stewards of the largest collection of Greenlandi­c art that is publicly accessible, one of our main goals is to address the gaps that arise from being built on a private collection. The goal of our larger acquisitio­n policy is to challenge and enhance our existing collection by continuall­y adding new and different perspectiv­es, such as the recent Arke acquisitio­n. We also run a residency program focused on artists from the Nordic countries. As part of the program, visiting artists are required to leave one of their newly created works with the museum. These works, made in Nuuk and in relation to the collection, become an encounter between the artists, the museum and the city. — SLH

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