Inuit Art Quarterly

Darlene Coward Wight

Curator of Inuit Art, Winnipeg Art Gallery

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When asked to contribute to this special 30 year issue of Inuit Art Quarterly, I pulled volume 1, number 1 (Spring 1986) from my bookshelf. It features a fascinatin­g article by Japanese printmaker Naoko Matsubara, commenting on the collective production of prints as practiced in Inuit print shops. Terry Ryan, former West Baffin Eskimo Co-operative manager, was invited to respond in the following issue. I was hooked! There have been so many thoughtpro­voking, even provocativ­e, articles published in the IAQ, and, as a researcher, I consider them essential reading. Also of great importance for my work have been the interviews with artists, notably, the Arts Alive, Fall/Winter 2004, special issue (19.3–4) that included no less than 18 substantia­l interviews with Inuit artists. The IAQ has been a very supportive means for the Winnipeg Art Gallery (WAG) to let its key audiences know about our exhibition­s and publicatio­ns and has also been a way to gain informatio­n about those produced by other museums and commercial galleries. Over the years, I have filed copies of IAQ articles into artist and subject files that will now be part of the research available in the new Inuit Art Centre at the WAG. Thank you Inuit Art Quarterly!

 ??  ?? Darlene Coward Wight (right) examines artwork with famed printmaker Germaine Arnaktauyo­k at the Winnipeg Art Gallery, 1997
Darlene Coward Wight (right) examines artwork with famed printmaker Germaine Arnaktauyo­k at the Winnipeg Art Gallery, 1997

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