Inuit Art Quarterly - 2018-03-15

• From Ancient Material to New Visions
• Challengin­g Convention: The Expressive World of Karoo Ashevak
• Crafted from Bone and Ivory: An Interview with Susie Silook
• A Man of Many Faces: Karoo Ashevak in 35mm
• To the Bone: Spirits, Skulls and Stories
• Raise a flag
• Padloo Samayualie: North & South
• Exhibition Highlights
• Insurgence/Resurgence
• Judas Ullulaq
• Bugs, Insects and Springtime Crawlies
• Kenojuak Ashevak
• Maudie Okittuq
• Message from the Board
• From the Editor
• Sustainers
• Friends of the Foundation
• Nancy Saunders Wins the Virginia J. Watt Scholarshi­p
• Become a Sustainer and help support the Inuit Art Foundation!
• Tunirrusia­ngit: Kenojuak Ashevak and Tim Pitsiulak
• Amundsen’s Gjoa Haven Collection, 1903–1905
• Kulusuk Museum
• Ashevak liked to concentrat­e on a certain mode or effect, working through a subject repeatedly before moving on to a new idea. —
• Updates and highlights from the world of Inuit art and culture
• Funding and Curatorial Future of the WAG’s Inuit Art Centre
• Andrew Qappik Named Member of the Order of Canada

Inuit Art Quarterly - 2017-12-05

Inuit Art Quarterly - 2018-06-15