Inuit Art Quarterly - - REVIEW -

1 The lan­guage of tourism is ev­i­dent not just in River Land­ing’s brand­ing (see river­land­, but has been a no­table pre­oc­cu­pa­tion for other crit­ics writ­ing on the Re­mai Mod­ern, in­clud­ing Jen Bud­ney (“The Re­mai Ef­fect,” Cana­dian Art, Oc­to­ber 26, 2017) and Amy Luo (“Prairie Mod­ern,” Frieze, De­cem­ber 6, 2017), who ques­tion the in­sti­tu­tion’s po­si­tion­ing as a “des­ti­na­tion cen­tre.”

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