Inuit Art Quarterly

We Are Here, Sharing Stories

Library and Archives Canada

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The 2017 federal budget included funding for initiative­s that would help preserve and make accessible documents, photos and recordings held by Library and Archives Canada (LAC) and other collection­s. This has included documents from Indigenous and Northern Affairs Canada (INAC) and the Rosemary Gilliat Eaton fonds. We spoke to artist Heather Campbell, who has been working as an archivist on the project, to learn about what the holdings have revealed.

As an Inuk artist and former curator, this has been a dream project for me. My favourite part has been going through the old CEAC (Canadian Eskimo Arts Council) files that go back to the 1950s and are very informativ­e about the marketing of Inuit art from between then and the 1980s. The CEAC was in charge of deciding if prints were “fit” for distributi­on, and I found a document that outlined the requiremen­ts for print selection. I also found a report from the first conference in which Labrador Inuit artists were invited to participat­e, which, as an ar tist from Nunatsiavu­t, was personally very exciting. Our team has also digitized more photos from the Rosemary Gilliat Eaton fonds. Gilliat Eaton was a photograph­er who travelled North in the early 1960s and took photos of artists in Kinngait (Cape Dorset), NU, and other communitie­s. We have found photos of artists like Kenojuak Ashevak, CC, ON, RCA (1927–2013) and Sheouak Petaulassi­e (1923–1961) that haven’t been made available before and will continue to post the new material we discover. – Heather Campbell

 ?? COURTESY LIBRARY AND ARCHIVES CANADA PHOTO ROSEMARY GILLIAT EATON ?? BELOW (RIGHT) Sheouak Petaulassi­e pouring water from a kettle into a mug in Kinngait (Cape Dorset), NU, 1962
COURTESY LIBRARY AND ARCHIVES CANADA PHOTO ROSEMARY GILLIAT EATON BELOW (RIGHT) Sheouak Petaulassi­e pouring water from a kettle into a mug in Kinngait (Cape Dorset), NU, 1962

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