Lethbridge Herald

Native Americans prominent in new series

- Lynn Elber

“Yellowston­e” has everything a worthwhile Western should, including breathtaki­ng vistas, battles over land and Kevin Costner in the lead role.

There’s also something rare in the contempora­ry Paramount Network series that debuted Wednesday: prominent Native American story lines and parts, including one filled by an actor formidable enough to stand up to Costner and his ranching baron.

Gil Birmingham plays Thomas Rainwater, a tribal chief and casino owner who’s ready and able to oppose those whose interests conflict with the well-being of the people he represents.

Birmingham, of Comanche ancestry on his father’s side, has played his share of Native Americans and others on TV and in films including “Hell or High Water” and “Wind River,” both written by Taylor Sheridan, the creator of “Yellowston­e.”

“Through my career, a rather long career of struggling, mostly, I’ve been asked, ‘What would be your dream character?’ and this is it,” Birmingham said of his role on Paramount Network’s first drama series since its rebranding from Spike TV last January.

Playing a fully realized, modern Indian character is an opportunit­y that doesn’t come often enough and one that counts beyond entertainm­ent, the actor said.

“Many people don’t even think that we (Native Americans) still exist, that we’re just historical artifacts that once upon a time existed,” he said, crediting Sheridan with a “great leap forward” in the 10-part series and on the big screen.

Birmingham tips his hat as well to Costner and his 1990 Oscar-winning period drama “Dances with Wolves,” which “really did open the door for people for maybe the first time ... to see the beauty and the depths of the native culture.”

Costner, also an executive producer on “Yellowston­e,” said authentici­ty is his goal with any project. That’s particular­ly important in the show’s portrayal of Native Americans, he said, for whom “a terrible wrong” has occurred and not been remedied.

Sheridan got the balance “letter perfect,” with the nuance and imperfecti­on that characters of every ethnicity warrant, he said.

Costner stars as John Dutton, a die-hard Westerner determined to keep his family’s holdings intact. There are pressures from without — including land developers, oil and lumber interests and the adjacent Indian reservatio­n and Yellowston­e National Park — and from within, courtesy of his family.

Dutton’s offspring include Kayce (Luke Grimes), estranged and living on the reservatio­n with his Native American wife, Monica (Kelsey Asbille); lawyer Jamie (Wes Bentley), eager to please his dad, and heir apparent Lee (Dave Annable), who’s running the family operation with Dutton.

The sole daughter, Beth, (Kelly Reilly) more than keeps up her end, filling in for her late mother as family matriarch and doubling as a cutthroat business negotiator.

The role of Thomas Rainwater was Birmingham’s for the taking after he proved himself to Sheridan in “Wind River” and “Hell or High Water,” which earned the filmmaker an Oscar bid for best screenplay.

Birmingham couples technical proficienc­y with artistic expression in his work, Sheridan said, and Rainwater’s character required particular deftness.

“It’s the ability to be cunning without it being misconstru­ed as evil,” said Sheridan, who recalling advising Birmingham that Rainwater needed to be seen as “an equal force to people who have a real disregard for the rule of law, and yet never lose his goodness.”

The actor has a personal connection with his character’s story. Rainwater grew up unaware of his ancestry because his adoptive parents withheld his background from him, while Birmingham’s late father downplayed his native heritage.

Birmingham left home at age 14, ultimately attending the University of Southern California and working as a petrochemi­cal engineer. A foray into bodybuildi­ng served as an improbable wake-up call to embrace the arts.

“I was more intrigued by the esthetic ability to form a body like a sculpture. In my creative desire, I just knew I couldn’t do the engineerin­g anymore. It didn’t speak to me, to my spirit,” he said.

Another unlikely step — he got a part in Diana Ross’ music video “Muscles” — propelled him into acting, although the guitar had captured his imaginatio­n as a youngster and he’d hoped for a musical career.

 ?? Associated Press photo ?? This image released by Paramount Network shows Gil Birmingham from the series “Yellowston­e.”
Associated Press photo This image released by Paramount Network shows Gil Birmingham from the series “Yellowston­e.”

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