Medicine Hat News

CBC needs more ‘great Canadian storytelli­ng’ after loss of hit TV shows, say experts

- VICTORIA AHEARN

TORONTO

Tuesday’s Canadian Screen Award nomination­s featured many gains for the CBC but also highlighte­d its massive losses.

Many of the public broadcaste­r’s nominated shows have ended for various reasons in recent months, shaking up what has been a golden era of its TV lineup.

Global smash “Schitt’s Creek,” which is up for a leading 21 CSA trophies, wrapped its sixth and final season on its own terms last year.

The buzzy “Trickster,” a 15-time nominee, was cancelled after just one season this past January amid controvers­y over co-creator Michelle Latimer’s claims of Indigenous ancestry.

The beloved “Kim’s

Convenienc­e,” up for 11 awards, is set to wrap up with its fifth-season finale on April 13 after producers said its co-creators were moving on to other projects.

“Baroness Von Sketch Show” left the air after its fifth season last fall in what the comedy troupe felt was “a natural time” to end.

“Frankie Drake Mysteries” wasn’t renewed after four seasons last month. And “Burden of Truth” concluded with its fourth season earlier this month after producers said it had a “natural end.”

Industry experts say the outcry over the demise of those shows proves the public broadcaste­r is doing its job by making quality, distinctiv­ely Canadian programmin­g that is popular on global platforms like Netflix and the CW.

In order to continue that momentum, however, observers say the corporatio­n must continue to focus on diverse, homegrown scripted programmin­g that serves Canadian culture — and it needs adequate funding to do so.

“While all good things do come to an end, I think we need to make sure the replacemen­ts, whatever comes next, lean in even harder to great Canadian storytelli­ng that’s shamelessl­y, distinctiv­ely

Canadian,” says Daniel Bernhard, executive director of watchdog group Friends of Canadian Broadcasti­ng.

“It works here and it works around the world. The private networks, we know, are less inclined to make this kind of programmin­g. The CBC makes it and it’s good. And so we need to do more of it.”

But the government must also play a role, Bernhard adds, noting the cost of TV production has significan­tly increased but the CBC’s budget hasn’t risen since 2016.

“The CBC continues to be among the most poorly funded public broadcaste­rs in the world. And the private TV companies are also disappeari­ng, because all the ad revenue goes to Google and Facebook, and all the subscripti­on revenue goes to Netflix and Amazon, so their ability to finance Canadian programmin­g is also diminished,” says Bernhard.

 ?? POP TV VIA AP ?? This image released by Pop TV shows, from left, Annie Murphy, Eugene Levy, Catherine O’Hara and Dan Levy from the series “Schitt’s Creek.”
POP TV VIA AP This image released by Pop TV shows, from left, Annie Murphy, Eugene Levy, Catherine O’Hara and Dan Levy from the series “Schitt’s Creek.”

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