Montreal Gazette

Cycling champion was a quiet hero

Road to Valour tells the story of Gino Bartali, who saved Jews’ lives during the Holocaust

- ENZA MICHELETTI

Let’s begin with the title: Road to Valour. Only three words long, all in capital letters. At first glance, the book’s subtitle, in much smaller type below, works harder to persuade the reader to pick this one up: A True Story of World War II Italy, the Nazis, and the Cyclist Who Inspired a Nation.

The front cover is intriguing too, with the green-white-red tricolore of Italy’s flag framing a black-and-white photo of cycling icon Gino Bartali hoisted on the shoulders of grinning fans after winning the Giro d’Italia race in 1946.

And yet, 316 pages later, the book devoured, I am drawn back to the simple title, moved by all that it summarizes. Bravery is a journey, it says. Courage is acquired one step at a time, or as in Bartali’s life exemplifie­d, one pedal stroke after another.

It took nearly 10 years of rigorous research for co-authors (and siblings) Aili and Andres McConnon to piece together Bartali’s extraordin­ary journey to valour, reconstruc­ting his life against the backdrop of Italy in the Second World War. They chronicle the ups and downs of an athlete penalized for coming of age during Europe’s mad rush to war – Bartali managed to win the Tour de France twice, first in 1938 at age 24 and again in a startling comeback in 1948 at 34, a gap that earned him the still-standing record for the longest time span between victories. He became a national hero in Italy, despite losing “his most fertile years” to the war, he is quoted as recalling.

Yet the most compelling moments of the book recount a lesser-known fact – that at the height of the war, Bartali couriered falsified identifica­tion papers from Florence to Assisi to aid Jews targeted by racial laws newly enacted by Mussolini’s Fascisti. He did it cleverly, by hiding the IDs in the hollow frame of his bike and pretending that the 110-mile trek was part of his training regimen.

One scene shows Bartali stopping for a break in the Tuscan town of Terontola, which served as a transfer point between Italy’s north-south rail lines. Jews were in danger there because they had to transfer trains on their escape route south. Bartali timed it so he entered the station’s bar as a train arrived. The soldiers recognized him and asked for autographs – just enough of a distractio­n to keep them from scouring the train for Jews.

Bartali never talked to anyone about

Road to Valour: A True Story of World War II Italy, the Nazis, and the Cyclist who Inspired a Nation By Aili and Andres McConnon Doubleday Canada, 316 pages, $32.95

what he did, not even his wife. She didn’t know that in a spare apartment they owned just down the street from their home on the outskirts of Florence, the Goldenberg­s were hiding: Giacomo, his wife, Elvira, and their 6-year-old daughter, Tea. Their 11-yearold son, Giorgio, had been sent to live at a nearby children’s boarding house.

Later in the war, as Fascist raids increased, Bartali moved the Goldenberg­s to the undergroun­d cantina, or cellar, of a nearby house. Giorgio joined his family in that dark, cold, windowless 10-by10-foot space and they all waited, praying for deliveranc­e.

If it only managed to tell this much, the book would earn high praise. But the McConnons reach higher yet, and in quiet moments of astounding detail, they piece together a larger story of heroism.

We learn of Rufino Niccacci, a Franciscan monk who transforme­d Assisi into a counterfei­ting centre; Luigi Brizi, the printer who created authentic-looking IDs; and “Mamma Cornelia,” a nun at Giorgio’s boarding house who quietly encouraged the 10 or so Jewish boys hiding there “to say the prayers of their own faith.” And what of Cardinal Dalla Costa, the archbishop of Florence, who coordinate­d the resistance effort? He’s the one who asked Bartali to get involved.

It’s not easy to cobble together the past, even after years of extensive interviews with people like the Goldenberg­s, who moved to Israel after the war. As the authors reveal, Bartali never wanted to discuss the role he played during the war and when he died in 2000, so did the details of his story.

He once confided to his son: “If you’re good at a sport, they attach the medals to your shirts and then they shine in some museum. That which is earned by doing good deeds is attached to the soul and shines elsewhere.” The justificat­ion for his silence? “I don’t want to appear to be a hero,” he said.

Since “we will likely never know the full scope” of everything Bartali did “or the risks he endured,” as the authors lament in their epilogue, it is better then to look to Bartali, the cyclist, for answers. In his Tour de France performanc­es, Bartali outdistanc­ed competitor­s in the mountain stages. In 1938, his relentless pace up and down the Pyrenees gave him the edge. In 1948, he overtook his rivals in the Alps and charged ahead at the foot of the Col d’Izoard, despite its 20-mile climb “steep enough to stall all but the most rugged cars.”

It’s obvious that Bartali was strongest when faced with the starkest challenge. So let’s end it on that note – the image of one man, his bicycle, and the road he chose to follow.

 ?? EL GRÁFICO MAGAZINE ?? Italian cycling champion Gino Bartali appeared on the cover of Argentina’s El Gráfico magazine shortly after he won the 1938 Tour de France.
EL GRÁFICO MAGAZINE Italian cycling champion Gino Bartali appeared on the cover of Argentina’s El Gráfico magazine shortly after he won the 1938 Tour de France.

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