Montreal Gazette

Documentar­y gives voice to the lament of a suffering people

Everyday Armenians tell heartfelt and heartbreak­ing tales of a forgotten land

- T’CHA DUNLEVY GAZETTE FILM CRITIC tdunlevy@ montrealga­zette.com Twitter: @tchadunlev­y

Figure d’Armen

Documentar­y Directed by: Marlene Edoyan

Duration: 74 minutes Parental guidance: for all Playing in Armenian with French subtitles at Excentris cinema

As travelogue­s go, Figure d’Armen is not exactly upbeat. But there is a weary dignity to Marlene Edoyan’s understate­d documentar­y on the people of Armenia.

A Montrealer who grew up in Lebanon, Edoyan is a member of the Armenian diaspora, displaced by years of unrest in the country. Eager to connect with her roots, she heads off on a month-long trip to the motherland, travelling through the striking yet desolate countrysid­e and stopping in Armenian-populated territorie­s of neighbouri­ng Georgia and the Nagorno-Karabakh enclave.

Her goal is not to deliver an overarchin­g exposé of Armenia’s troubled history, or the hows and whys of its current situation, but rather to hear, first-hand, the experience of everyday Armenians.

She finds a family living in a trailer, on a mountain in the middle of nowhere; a farmer, returning home with his donkey; a group of widows, sitting in front of a mound of bales of hay.

Each tells a similar story. The country has been in limbo since seceding from the Soviet Union in 1990. Independen­ce has led to a world of problems, mostly relating to the lack of employment and infrastruc­ture.

Young Armenians leave the country in droves to go work in Russia. Those who stay behind, or who have returned, profess an undying love for their native l and while lamenting how hard things are. Regional and ethnic conflicts add to a climate of mistrust.

A woman farmer explains how she never has a free moment to herself, always doing chores to make ends meet, collecting firewood, milking the cows, making cream, yogurt and bread. But she can’t imagine herself anywhere else. “What’s abroad?” she asks. “Nothing.”

Dressed in a suit and admitting to having had a few drinks, a farmer stands with his donkey, telling of his life in the army. He explains that “Armenia has always suffered,” enduring attacks by the Persians, Turks and Georgians, among others.

In the small region of Nagorno-Karabakh, in southweste­rn Azerbaijan, the Armenian community is shunned by the Azerbaijan­i people.

There are no solutions in Edoyan’s film, nor is there much in the way of dramatic thrust; there are only stories — heartfelt tales from a forgotten people for whom life is never easy. By lending them an ear, she gives them a voice.

Figure d’Armen screens in Armenian with French subtitles at Excentris. Director Marlene Edoyan will introduce the film Friday and Sunday at 1 p.m. and 5 p.m. There will be special screenings of the film with English subtitles, April 27 and 28 at 5 p.m. at Cinéma du Parc. Visit cinemadupa­rc.com.

 ?? MULTI-MONDE ?? Director Marlene Edoyan did not intend to cover all of Armenia’s troubled history in her understate­d documentar­y, Figure d’Armen. Instead, the Montrealer wanted to hear, first-hand, the experience­s of ordinary people.
MULTI-MONDE Director Marlene Edoyan did not intend to cover all of Armenia’s troubled history in her understate­d documentar­y, Figure d’Armen. Instead, the Montrealer wanted to hear, first-hand, the experience­s of ordinary people.

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