LUMINOTHÉRAPIE
IS MONTREAL’S ANTIDOTE TO WINTER.
For all its summertime verve, Place des festivals can be downright desolate come winter.
Without late sunsets, lingering festival crowds or lineups for food trucks, the concrete quadrangle adjacent to Place des Arts is cold and windswept.
In a few weeks, though, it will become a twinkling, swaying wheat field. On Dec. 11, the interactive multimedia show called Entre les rangs, which means “between the rows,” opens as part of the fourth annual Luminothérapie design competition organized by the people who run the Quartier des spectacles as an antidote to Montreal’s long grey winters and a way to showcase the creativity of Montreal designers.
It was an idea that came to Montreal architect Rami Bebawi and his team at Kanva Architecture one frigid end-of-winter day last March when they bundled up and headed over to take stock of the site. To find the “soul” of the place, he says, they listened to the wind. And then they enlisted designers in a host of other fields, among them the indie musician Patrick Watson and the local landscape design firm Côté Jardin, to help create magic using light and sound.
“The space is just so big. It’s
“We started to play
with the idea of history and weather and cycle of seasons.”
RAMI BEBAWI, MONTREAL ARCHITECT
like an open lot surrounded by buildings in the middle of a dense urban environment,” Bebawi said, pouring espresso in the firm’s sunny St-Laurent Blvd. loft while taking a break from the preparations for the show’s opening.
“Stand back, though, or look at it from above, and what you see is a long narrow parcel of land with Mount Royal to the north and the St. Lawrence River to the south, a site that rises and then dips, with many levels in between.”
Its rectangular shape, the designers noticed, is reminiscent of the long, narrow tracts of farmland that have characterized rural Quebec ever since the seigneurial system of New France.
“We started to play around with this shape, and with the idea of history and weather and the natural cycle of the seasons,” Bebawi said, doodling his vision on a notepad as he spoke.
Before they knew it, the team had conjured a large-scale urban metaphor for a wheat field in rural Quebec, one made of more than 28,000 plastic rods topped with simple white bicycle reflectors. In the winter wind, bathed in reflected light, the stylized stems will sway as they would in a blustery wheat field.
The stems vary in height from 3½- to 5-feet-tall, set tightly together and anchored in recycled plastic posts. Each of them is topped with a simple old-fashioned bicycle reflector that will catch the light emitted from overhead coloured lamps, the colours moving with the wind as music plays.
With the sound emanating from speakers hidden at street level all around the site that is louder when the wind picks up, it gives the impression of a moving melody.
The most successful public art installations, Bebawi says, create a collective experience. The Entre les rangs field is laid out in a series of slightly curved lines with breaks every now and then for people to cross through. Entre les rangs’ 6-foot-wide aisles are perfect for strolling side by side or for walking through alone.
The Entre les rangs exhibition is one of two installations chosen from among 44 submissions for this year’s Luminothérapie competition, which promotes new ways of using public spaces as open-air galleries.
The competition runs from Dec. 11 to Feb. 2, 2014.
The other exhibit is a playful series of projections called Trouve Bob, a kind of high-tech version of Where’s Waldo that will be projected on the façades of the buildings surrounding Place des Festivals. It invites visitors to play a game in which the character Bob hides in a psychedelic world of unusual characters, all of them hiding out in the architecture of the projection surfaces. It was designed by a Montreal multimedia collective called Champlagne Club Sandwich.