Montreal Gazette

Rush to be honoured for giving to charities

- NICK PATCH

The members of Rush will be receiving another one of those glittering prizes this weekend — the Allan Waters Humanitari­an Award, honouring their decades of dedicated philanthro­py.

The gifted Toronto power- prog trio is characteri­stically low- key about the honour, which will be issued during a Juno Awards ceremony.

If Rush’s generosity was a bit of a secret, they wouldn’t have minded if it stayed that way.

“It’s a way that you can do it as a unit, which Rush is, without making really a big deal about it,” guitarist Alex Lifeson said recently from Toronto.

“This is really great to get this award — it’s always very humbling — but this is just something that you’re supposed to do. We don’t make a big deal out of it.”

Among their charitable contributi­ons, Rush has donated significan­tly to Toronto’s Daily Food Bank, the United Way, the Canadian Museum for Human Rights, the New Orleans- assisting Make it Right Foundation, Doctors Without Borders, Alberta Flood Relief and Casey House.

Lifeson and his peerless bandmates, Neil Peart and Geddy Lee, are currently preparing to rehearse for their upcoming 40th anniversar­y tour. He took a break to talk about the band’s charity and a 40year history with the Juno Awards.

QYou guys didn’t grow up wealthy, but was charity always instilled in you?

AWe’re all middle, or lowermiddl­e class, suburban kids. First of all, it’s the right thing to do. We are very, very fortunate. We’ve had an amazing career as a band. I think we were raised with those sorts of traits. It just seems right to give back. Move it forward.

QRush performed a benefit for AIDS research in the early ’ 90s and you’ve been a huge supporter of Casey House. Has AIDS long been an important cause for the band?

AIt was. We all knew people who passed away, who died from AIDS. You couldn’t stick your head in the ground and just ignore it. I think that particular ( concert) in San Francisco was a foundation that was set up by Elizabeth Taylor.

Casey House does an amazing job. They’re so compassion­ate and they’re so caring. It’s really your last place to find a friend in a lot of ways, especially in the homeless community or the drug- addicted community, where they have nowhere to go.

QYou’ve personally done a lot of work for the Kidney Foundation, painting to raise money.

AMy dad had kidney failure before he died, so it hit close to home. I’m not a painter by any stretch of the imaginatio­n. I have a lot of fun with it and it’s an experiment and I’m always learning something. It’s nice to be able to raise 10 grand for some blobs of paint on a canvas.

The Rush community buys up a lot that stuff. We’ve raised a quarter of a million dollars in seven or eight years.

QIs that something you’ve seen a lot, Rush fans taking on the band’s causes?

AI do recall reading some things on some fan postings. And that’s a wonderful thing. I think our fans are aware of what we do, and if it inspires them to help out in some way, it’s a fantastic thing. That’s a great legacy to leave.

QYou first won a Juno for most promising group way back in 1975. You were on tour with Aerosmith so you couldn’t accept it, but do you remember how you felt?

AI remember being really, very, very excited about it. You know, it was tough for us in the early days. We couldn’t get a record deal here even with the smallest distributi­on label. Nobody wanted to touch us. Nobody was interested.

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