Montreal Gazette

Stand by Me among picks for posterity

- BRETT ZONGKER

One of t he most broadcast songs of the 20th century, Ben E. King ’s Stand by Me, has been selected for preservati­on at the U. S. Library of Congress, along with recordings from Joan Baez, The Righteous Brothers, Steve Martin and the darker sounds of Radiohead.

Twenty- five sound recordings from 1890 to 1999 were added Wednesday to the library ’s National Recording Registry.

Each year the library chooses recordings that are “culturally, historical­ly or esthetical­ly significan­t.”

Some of the unforgetta­ble tunes being archived include Ac- CentT-chu- Ate the Positive from Johnny Mercer in 1944, Baez’s first solo album, The Righteous Brothers’ You’ve Lost That Lovin’ Feelin’ and Steve Martin’s A Wild and Crazy Guy comedy album, which broke new ground in the 1970s as Martin broke out of formulaic jokes for less predictabl­e humour.

Upon hearing of his achievemen­t, Martin deadpanned: “I could not be more proud of this honour. This means the record was probably funny.”

The Library of Congress has been seeking to preserve important sound recordings for 15 years under terms of a preservati­on act passed by Congress.

In the 1960s, King originally intended his song Stand by Me for his former group, the Drifters, but he ended up recording it himself. The song is anchored by one of the best- known bass lines in history, curators said.

A few years later, The Righteous Brothers were recording Lovin’ Feelin’. They thought the song was wrong for them at first but ended up with a hit.

The oldest recordings being saved are in the form of 600 wax cylinder recordings at the University of California, Santa Barbara, that were recorded by consumers in the 1890s, 1900s and 1910s as snapshots of everyday life.

These are among the most endangered audio formats because their grooves are fragile and the wax decomposes over time. Another set of wax- cylinder recordings from the 1893 Chicago World’s Fair captured musicians from around the world performing, giving Americans their first exposure to “world music.”

Other historic recordings chosen for preservati­on include radio coverage of President Franklin D. Roosevelt’s funeral in 1945 and the 1953 theatrical recording of John Brown’s Body, based on a Civil War poem that proved commercial­ly successful as a non- musical play.

Curators will also preserve tunes from TV’s Sesame Street. The children’s show used music as an integral part of its educationa­l program and drew stars ranging from B. B. King to R. E. M. and the Dixie Chicks.

The library chose the 1995 re- cording Sesame Street: All- Time Platinum Favorites.

Public nomination­s lifted Radiohead’s 1997 album, OK Computer, to the curators’ attention after several years, with the album’s informatio­n- age dystopia characteri­zed by corrupt politician­s, psychopath­s, consumeris­m and airline disasters.

“I sort of see it as part of a certain ongoing phenomenon in rock music that maybe begins with the Velvet Undergroun­d but also The Doors, who are on the registry this year. Pop music is not entirely positive in its outlook, shall we say,” curator Matt Barton said.

“I think we can say that OK Computer really sums a lot of that up.”

 ?? I T S U O I NO U Y E / T H E A S S O C I AT E D P R E S S ?? Ben E. King’s Stand by Me will be preserved by the U. S. Library of Congress, along with recordings by Joan Baez and The Righteous Brothers.
I T S U O I NO U Y E / T H E A S S O C I AT E D P R E S S Ben E. King’s Stand by Me will be preserved by the U. S. Library of Congress, along with recordings by Joan Baez and The Righteous Brothers.

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