Montreal Gazette

CORSETS MAKING COMEBACK

Fashion that exaggerate­s the hourglass figure is booming in popularity — and it’s not just the Fifty Shades effect. Clare Coulson gets to the bottom of the phenomenon.

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The revival of the corset was one of the most surprising trends to emerge from the autumn/winter fashion shows that wrapped up in early March in Paris. On a wave of Victoriana, the sculpted, bodyshapin­g underwear had segued back into fashion.

Sometimes it looked very similar to its 19th-century forerunner­s, complete with stiff boning. Elsewhere, it appeared in entirely fresh, modern guises on catwalk shows ranging from Stella McCartney to Louis Vuitton.

But this is not just some arch trend in the elevated world of couture that will never survive among the masses. It’s not just designers who are rediscover­ing the waist; this week, reports emerged of a sudden increase in sales of corsetry.

At What Katie Did — a vintage-styled emporium that specialize­s in undergarme­nts that recreate the ultrafemin­ine look of the Forties and Fifties — sales have increased by half over the past three months. The west London store, which also has an outpost in Los Angeles, stocks very traditiona­l steel-boned corsets and corselette­s — a garment combining a corset and bra.

Madonna, Kate Moss, Oprah and Rihanna are among the clientele, as well as period television shows such as The Hour and Call The Midwife. Its website features Jessica Rabbit-shaped models wearing hourglass satin corsets in vintage pin-up poses.

Other retailers, such as eBay, also report a sudden shift, with sales of corsets at the online trader up 54 per cent since December.

Rachel Bothamley, who runs the London branch of What Katie Did, believes that the time is right for a revival in hourglass figures.

“There always seems to be a resurgence of corsets in fashion every 60 years or so,” she says. “There was a peak in 1955 after Dior’s New Look collection in 1947, which made a cinched-in waist fashionabl­e. Before that, in the late 19th century, it was the same.”

Arguably, the media have had a hand in the latest renaissanc­e. “There are women in the public eye who are curvaceous and are helping in bringing a waist and hips back into fashion again, much like the figures of the Fifties,” says Bothamley. “A lot of women will come into our London boutique because they have seen images online or on social media.”

Some observers believe the huge interest in Sam Taylor-Johnson’s big-screen adaptation of E.L. James’s Fifty Shades of Grey might be encouragin­g women to experiment with a garment often viewed as erotic.

Lucy Litwack, managing director of Covent Garden’s Coco de Mer store, which counts bespoke corsetry among its erotica, agrees the film has prompted a radical shift.

“We have always had a customer base interested in corsetry. Fifty Shades of Grey has introduced a lot of new people to the idea of using our products—and gave people the permission they needed to try them.”

Likewise, Lily James’s starring role in Cinderella has helped catapult the corset back into consciousn­ess. The actress has discussed in interviews the rigours of wearing corsetry throughout the film, and she was given advice on how to wear it by Helena Bonham-Carter, another serial corset-wearing actress and Cinderella co-star.

The trailer, featuring a powder blue, tightly corseted tulle gown, has provoked much debate about James’s incredibly tiny waist, further emphasized by the princessy designs of Sandy Powell, the costume designer.

But it is, perhaps, another unrealisti­c figure who is most responsibl­e for repopulari­zing a curvaceous figure. With her hand-span middle and famously rotund derrière, Kim Kardashian has been the most high-profile poster girl for womanly curves and redefining a new body ideal.

Lest anyone be tempted to sniffily dismiss her influence, bear in mind that this is a woman with 30 million Twitter followers, and with some of the world’s most influentia­l fashion designers at her beck and call.

After the rise of real, everyday and often androgynou­s-looking clothes over the past decade, the corset’s return has represente­d an arresting, surprising volte-face, but then hourglass-forming underwear has always caused debate.

In her book The Corset: A Cultural History, fashion theorist Valerie Steele describes it as “probably the most controvers­ial garment in the entire history of fashion.”

“Corsets were around without any interrupti­on for 600 years until a brief attack on them in the 1850s, and then again in the 1910s, with Paul Poiret (a famous French designer who liberated women from corsets). So they’ve been around for ever, but they haven’t always been about giving women a little waist,” says Judith Watt, fashion historian and course leader in fashion journalism at Central St Martins.

“They’ve always distorted the body, but corsets as we know them now are something that actually makes your waist smaller and lifts your breasts up to give you fabulous decollete.”

However, we cannot presume that this latest incarnatio­n — in the fashion world at least — means a return to all-out sexiness. The designers who are reviving corsetry details are presenting them in thoroughly modern ways. And, it should be noted, much of this 21stcentur­y shapewear is being created by female designers.

For next autumn/winter, Stella McCartney has topped sheer, blush silk blouses with neat bodices, and created sleek cocktail dresses and tops using classic corseted silhouette­s.

“There was definitely a renewed interest in the waist this season, and an assuredly feminine silhouette that felt quite femme fatale,” says Natalie Kingham, the head of buying at Matchesfas­hion.com.

“Many designers referenced female icons, including Marilyn Monroe and Lauren Bacall. At McQueen, Sarah Burton said in her notes she had been watching the (Victorian-based and visually sumptuous) TV series Penny Dreadful, starring Eva Green, so it does feel like the rise in popularity again for period dramas might be influencin­g this mood.”

Fifty Shades of Grey has introduced a lot of new people to the idea of using our products — and gave people the permission they needed to try them.

 ?? PATRICK KOVARIK/AFP/GETTY IMAGES ?? A model presents a creation by Serkan Cura during the 2015 Haute Couture Spring-Summer collection fashion show in January in Paris.
PATRICK KOVARIK/AFP/GETTY IMAGES A model presents a creation by Serkan Cura during the 2015 Haute Couture Spring-Summer collection fashion show in January in Paris.
 ?? CARLOS ALVAREZ/GETTY IMAGES ?? On a wave of Victoriana, the sculpted, body-shaping underwear has segued back into fashion.
CARLOS ALVAREZ/GETTY IMAGES On a wave of Victoriana, the sculpted, body-shaping underwear has segued back into fashion.
 ?? EILEEN COSTA/THE MUSEUM AT FIT/THE ASSOCIATED PRESS ?? This image from The Museum at FIT shows an English corset, circa 1905, in floral brocaded silk, silk ribbon and elastic.
EILEEN COSTA/THE MUSEUM AT FIT/THE ASSOCIATED PRESS This image from The Museum at FIT shows an English corset, circa 1905, in floral brocaded silk, silk ribbon and elastic.
 ?? BRYAN BEDDER/GETTY IMAGES ?? Kim Kardashian is perhaps most responsibl­e for repopulari­zing a curvaceous figure.
BRYAN BEDDER/GETTY IMAGES Kim Kardashian is perhaps most responsibl­e for repopulari­zing a curvaceous figure.

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