ILLUMINATION SENSATION
Tourists flocking to light festivals
Move over, holiday lights. Large light installations that blend contemporary art and technology are lighting up the night from New Orleans and Baltimore to Sydney and London.
At many of these free light festivals, interactive displays let participants change colours or patterns by moving or playing a game. The events are tourism magnets, attracting locals and out- of- towners to waterfronts, historic districts and other neighbourhoods on dark winter nights and at other periods when tourist activity may be low.
London had more than a million visitors to its first light festival over four January nights this year. Lumiere London’s display included a larger- than- life elephant stomping through the air, a digital painting at Westminster Abbey and human forms flying above buildings.
New Orleans’ LUNA Fête attracted 30,000 visitors in 2015, its second year. The event included The Pool by artist Jen Lewin, in which a pool of swirling circles of light and colour changed as spectators interacted with it. The Pool will be part of Baltimore’s first light festival, Light City Baltimore, around the city’s Inner Harbor, March 28 to April 3.
Other exhibitions at Light City Baltimore will include digital por- traits by an artist projecting lights, patterns and colours on festivalgoers; Lumin featuring lit- up sheets of acrylic that visitors can draw on to create a glowing, collaborative mural, and a flower sculpture called Laser Lotus that changes based on input from interactive touchpads.
Contemporary artists are increasingly using multimedia platforms and public spaces to bring art to wider audiences, collaborating with museums, governments and other entities.
Why the sudden boom in light festivals?
For one thing, said Nick Stillman, acting director of Arts Council New Orleans, which organized LUNA Fête, “the technology is becoming more accessible and user- friendly and inexpensive.”
Contemporary artists are increasingly using multimedia platforms and public spaces to bring art to wider audiences, collaborating with museums, governments and other entities “to produce things on a scale that is larger and more impactful” than what can be done in a studio, gallery or even a public plaza, Stillman said.
Public art, he added, is no longer just “a sculpture plopped in a plaza and left there for a couple of years until maintenance is done. We can be so much more engaging than that.”
Some light festivals include performances, conferences and other cultural components.
In Australia, Vivid Sydney attracted 1.7 million people last year, with 70 bands and 500 speakers in addition to more than 80 light installations. The Sydney event included light projections on such famous buildings as the Sydney Opera House.
Vivid Sydney’s eighth light festival, May 27 to June 18 this year, will include giant, luminous animal sculptures in a display at the Taronga Zoo.
Closer to home, Montréal en lumière, a wintertime arts festival that ended on March 5, includes light installations in Old Montreal, the Place des Festivals and other locations.
In Germany, Berlin’s Festival of Lights uses projections and 3D video mapping to turn landmarks such as the Brandenburg Gate into light art.
Jerusalem drew 250,000 visitors to its light festival last year, which returns this year May 25 to June 2 with 3D light exhibits, videos and other displays using buildings in the Old City.
Other light shows are more movie- like than conceptual, using large- scale video projections to tell stories.
Chichen Itza, the ancient Mayan complex in Mexico, started a light show last year called Nights of Kukulkan, named for the Pyramid of Kukulkan. Shown nightly, the show is projected on Kukulkan’s facade and tells the story of the Mayan people.
Most light festivals are more sophisticated than the usual holiday displays of twinkling reindeer, snowmen and trees that light up city parks, botanical gardens and resort grounds each December. But even some of the big artsy light festivals take place over the Christmas holidays. Illuminate SF Festival enters its fourth season this year with light art on display in San Francisco from Thanksgiving to New Year’s Day.
The organizers of New Orleans’ festival cite the Fête des Lumières in Lyon, France, as their inspiration. The long- running Lyon event typically attracts millions of spectators, but it was cancelled last year following the terror attacks in Paris.
Instead, organizers in Lyon used light to create a simple but powerful one- night tribute to the Paris victims. They asked residents to place candles in their windows, and they showed just one large- scale work, called Regards. It featured close- ups of the eyes of figures from master paintings, and was shown in conjunction with a scroll of the names of the victims of the terror attacks.