Montreal Gazette

CREATING A HAPPY, RELAXED REFUGE AT HOME

This spring it’s not about trends, it’s about personalit­y, emotions

- KIM COOK

The biggest trend in decor may be that there isn’t a big seasonal shift in style any more. In an era of democratic design, there’s a relaxed approach to home decorating that has put the notion of “in” or “out” on a back burner. We can decorate our homes more freely.

There are furnishing­s, palettes and materials in the spotlight, to be sure. But we’re more inclined to decorate in a personal and emotional way, making home a happy refuge in an uncertain world.

WARM AND WELCOMING

“Cosy seems to be the buzzword for 2018,” says Joan Craig, partner at Lichten Craig in Manhattan. “Every client this year has told us they want their home to be soft, warm, relaxed, luxurious ... and easy.”

Craig said that for a few years now clients have wanted highperfor­mance fabrics that can survive kids, pets and wine. “This is still the case, but now these textiles also have to be incredibly lush and soft,” she says. “We’ve started doing indoor/outdoor fabrics mixed with the most delicious mohairs and alpacas, combined with textured chenilles and weaves.”

Miami-based designer Phyllis Taylor says her eponymous firm is getting many requests for ethanolbas­ed fireplaces, which are easily retrofitte­d into homes because they don’t require venting. Taylor’s team is using the fireplaces as room dividers, and situating them in master baths, dining rooms and on television walls. “These fireplaces are a luxurious focal point, giving a space an unexpected touch of coziness and glamour.”

Farmhouse sinks, like Stone Forest’s hammered-copper version, meld relaxed rusticity with modernity.

Eclectic decor is part of this trend, too — a curated mélange of whatever makes your inner decorator’s heart beat. Pieces from different eras, travel souvenirs, favourite finds — the shelter magazines have embraced eclecticis­m for its ease and personalit­y.

Quiet colour palettes are part of this esthetic. Think muted sugar hues, deep limpid blues and fog.

Hastings Tile & Bath’s new collection features handmade subway tiles with names like Duck Egg, Snow and Cloud.

“We think greige is making a re-emergence in 2018,” says Los Angeles-based lighting, furniture and product designer Brendan Ravenhill. “A mix of grey and beige, the colour brings warmth to wood and whitewashe­d spaces.”

Melissa Lewis of Lewis Giannoulia­s Interiors in Chicago says there’s a new way to tweak the perenniall­y popular combo of grey and white: Envelop the space.

“Take the warm neutrals and paint them on everything — doors, trim, walls, etc. The unilateral colour makes any space feel much more refined and welcoming,” she says.

That refinement is also being reinforced with touches of drama and texture, says Charlotte Dunagan of Dunagan/Diverio Design Group in Coral Gables, Fla. The firm is using matte black accessorie­s, light fixtures and decorative hardware in many of its projects. Warm woods like walnut and warm paint colours generate an ambience she calls “classic modern.”

“Bold materials and textures offset by relaxing neutrals create the ‘2018 equilibriu­m,” she says.

PLAYING WITH PATTERN AND COLOUR

While many designers are embracing calm and quiet, others are excited about the proliferat­ion of imaginativ­e, interestin­g patterns, shapes and textures. It’s a trend that allows personalit­ies to shine.

“I think people are less afraid to use pattern in bigger spaces,” says L.A. designer Amy Sklar. “Patterned tiles for kitchen backsplash­es and bathrooms are going strong, and I’ve also been using patterned runners for stairways and hallways. It’s a fun way to add a little personalit­y without overwhelmi­ng the space.”

Bonnie Saland of the Los Angeles-based design studio Philomela has done a fabric collection based on rocks and minerals, as well as batik-style abstracts.

“We’re enjoying the layering of pattern on textured ground, increasing­ly offering wallpapers on grass cloth,” she says.

Pronounced weaves, knits and channellin­g are in soft accessory and upholstere­d furniture collection­s at many retailers this spring, including Jayson Home ( jaysonhome.com), Inmod (inmod.com) and Target (target. com), all of which can ship items to Canada.

Los Angeles designer Raun Thorp sees red coming back, in new versions and applicatio­ns.

Pantone’s new palette has several vibrant hues, like Cherry Tomato, a zingy red; Meadowlark, a bracing yellow; and its colour of the year, Ultra Violet.

Thorp is interested in avantgarde Italian patterns now, too. “Cole & Son has some amazing Fornasetti wall coverings that will completely transform a room in unexpected ways,” he says. “Surreal pattern is so appropriat­e in these surreal times.”

Floral and garden patterns are cropping up everywhere, especially exaggerate­d ones. “The wackier the better,” Thorp says.

Dutch designer Ellie Cashman has drawn inspiratio­n from her country’s art masters, creating oversized floral papers that look like they’ve been plucked from a moonlit garden. And British firm Graham & Brown has collaborat­ed with musician Brian Eno on a contempora­ry flower wallpaper full of kinetic energy.

IT’S THAT ’70S SHOW

Mid-century modern still has legs. So does the hybrid style known as transition­al. But interior design’s relationsh­ip with fashion and glamour has placed new focus on the ’70s and ’80s.

The look may not seem quite as au courant to those who grew up in the era, but the young and daring will find Jonathan Adler’s new pieces chic and fun. Inspired by Studio 54, the famed ’70s-era New York nightspot, the seating in the Bacharach collection combines velvet upholstery and brushed brass bases. And in Adler’s Ultra collection, mineral-hued velvet or black-and-white printed upholstery dresses up an array of seating that blends Italian modernism and futurism.

Another feature of this ’70s style? A palette of happy hues like daffodil, gumball pink, acid green and sky. You’ll see lots of kicky pop art prints on textiles and wallpaper. Fab’s got One Bella Casa’s Eyelita throw pillow, with a cartoon eye repeated on vivid green. Here too is the trippy, candy-coloured geometric print of LiLiPi’s Pop pillow.

Some of us are ready to cosy up with Netflix and a faux fur throw in a quiet room wrapped in milk chocolate paint. Others want to enliven our space with a madcap array of fun prints, a gold chandelier and the tunes turned up.

This year, it’s all good.

 ?? AMY BARTLAM/AMY SKLAR DESIGN ?? Don’t be afraid to embrace bigger, bolder patterns. Designer Amy Sklar tucked a smartly decorated nook under these stairs — the perfect little hideaway for reading or a quiet phone chat. The fabric, by Raoul Textiles, is called Elephant Leaf. Sklar had...
AMY BARTLAM/AMY SKLAR DESIGN Don’t be afraid to embrace bigger, bolder patterns. Designer Amy Sklar tucked a smartly decorated nook under these stairs — the perfect little hideaway for reading or a quiet phone chat. The fabric, by Raoul Textiles, is called Elephant Leaf. Sklar had...
 ?? CRANE & CANOPY ?? Fresh, energetic hues like coral and red are part of a vibrant palette this spring, along with bold pattern. Crane and Canopy’s Nova Clementina duvet set and Brushstrok­es throw pillow embody both looks.
CRANE & CANOPY Fresh, energetic hues like coral and red are part of a vibrant palette this spring, along with bold pattern. Crane and Canopy’s Nova Clementina duvet set and Brushstrok­es throw pillow embody both looks.
 ?? AMY BARTLAM/AMY SKLAR DESIGN ?? “As a designer, I love bold floral prints that feel modern but wink to the classics,” says Amy Sklar. “The profile of this particular chair is very traditiona­l, so adding a poppy pattern here makes it feel much more current, timeless and fun.” Mixing...
AMY BARTLAM/AMY SKLAR DESIGN “As a designer, I love bold floral prints that feel modern but wink to the classics,” says Amy Sklar. “The profile of this particular chair is very traditiona­l, so adding a poppy pattern here makes it feel much more current, timeless and fun.” Mixing...

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