Montreal Gazette

SOUTH PARK HATES YOU TOO

Controvers­ial cartoon plays both sides of the aisle,

- Travis M. Andrews writes.

There are two choices, and both of them are awful.

That’s the resounding thesis statement of South Park, Trey Parker and Matt Stone’s boundary-pushing, expletive-laden cartoon about four 10-year-olds living in the fictional South Park, Colo. This philosophy is probably best summed up by an episode from its eighth season that dropped just before the 2004 presidenti­al election. Titled Douche and Turd, its plot revolves around the elementary school choosing a new mascot, either a “giant douche” or a “turd sandwich.”

The creators hold this viewpoint beyond the show. Take Stone’s famous 2005 sound bite: “I hate conservati­ves. But I really ... hate liberals.”

South Park has consistent­ly lampooned seemingly everyone, in particular the loudest voices on all sides of the political spectrum. And though the show has backed away from commenting on President Donald Trump, its new season has already tackled school shootings, pedophilia­c Catholic priests and the Brett Kavanaugh hearings.

Nowadays, the political stakes feel higher than at any point in the show’s 21-year run. The left and the right don’t just disagree but see each other as morally reprehensi­ble, like when the president defends white supremacis­ts or when anti-capitalist, anti-fascist protesters set fire to limousines on Inaugurati­on Day. In such an environmen­t, it could be seen as problemati­c to simply shrug and claim that everyone and everything is stupid. And what might appear to some like a satire of our polarizing political culture can also look a lot like trolling — or being provocativ­e just to upset people.

Parker and Stone, who declined an interview request, selfidenti­fy as libertaria­n, a school of thought that advocates less interferen­ce from government — a concept that can cut across party lines. And those on both sides of the aisle have embraced the cartoon as a champion of their respective politics. Somehow it has become a Rorschach test for one’s world views. To wit: The duo has received an award from the loudly leftist organizati­on People for the American Way, but their show is also a favourite of the right-wing Reddit forum The_Donald, and it’s been blamed for the rise of the alt-right and its accompanyi­ng white supremacis­ts.

“I think it’s pretty clear in South Park and some of the other things from Parker and Stone that they really dislike people who are trying to tell other people how to live their lives,” said Jonathan Gray, a media and cultural studies professor at the University of Wisconsin at Madison. “It’s why they attack political parties.”

Take the show’s 20th season, which focused on the 2016 election. Bumbling, racist Mr. Garrison — normally the children’s Grade 4 teacher — is running for president and serves as the show’s stand-in for Donald Trump.

In a debate with Hillary Clinton, Garrison admits, “I had no idea I’d get this far, but the fact of the matter is I should not be president ... I am a sick, angry little man. Please, if you care at all about the future of the country, vote for her ... She’s not as bad as you think.”

So, the joke’s on Trump, right? Only partly, because the show’s robotic Clinton keeps responding, “My opponent is a liar and cannot be trusted.”

In the end, Garrison is elected. As Robert Arp, who has edited two books about the philosophy of South Park, put it, “The point of the show is to lampoon extremist ideas on one side or the other, the left and the right, the conservati­ve or the liberal, the Republican and the Democrat, the highly religious and the highly atheist, whatever the two opposing views on any and every topic you can think of.”

Some argue that by not picking a side, the show creates false equivalenc­ies that become trolling, as opposed to making a wellintent­ioned point.

Take the episode Osama bin Laden Has Farty Pants, from the show’s fifth season, in which Kyle meets his Afghan counterpar­t — named, in true South Park fashion, Afghan Kyle. The two find themselves debating whose country is better.

Scenes like this lead people such as cultural critic Sean O’Neal to argue that the potential trolling nature of the show has the same origins as the alt-right.

Writes O’Neal for the A.V. Club: “South Park may not have ‘invented’ the ‘alt-right,’ but at their roots are the same bored, irritated distaste for politicall­y correct wokeness, the same impish thrill at saying the things you’re not supposed to say, the same button-pushing racism and sexism, now scrubbed of all irony ... But well beyond the ‘alt-right,’ South Park’s influence echoes through every modern manifestat­ion of the kind of hostile apathy — nurtured along by Xbox Live (trash) talk and commentboa­rd flame wars and Twitter — that’s mutated in our cultural petri dish to create a rhetorical world where whoever cares, loses.”

Many reject this idea. Among them is political commentato­r Andrew Sullivan, who in 2001 coined the term South Park Republican, which refers to someone who is centre-right but holds liberal social views (arguably the show’s political viewpoint, if it has one).

“It’s the only thing on TV that keeps me sane, especially with PC insanity,” Sullivan said. “It’s the best social and political commentary on TV right now. I wish more adults would watch it. They’d be amazed at its sophistica­tion and subversive ridicule of the contempora­ry left and Trump right.”

Maybe the show is satire; maybe it’s trolling. Maybe it’s just a perfect example of Poe’s Law, the theory that parody is essentiall­y impossible to achieve in the internet age because no viewpoint or statement can be so extreme that everyone will know it’s a joke.

 ?? COMEDY CENTRAL ?? South Park is “the best social and political commentary on TV right now,” says political commentato­r Andrew Sullivan.
COMEDY CENTRAL South Park is “the best social and political commentary on TV right now,” says political commentato­r Andrew Sullivan.

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