Montreal Gazette

The value of eco-art projects for youth

Educationa­l initiative­s enhance understand­ing of environmen­tal issues, Isabelle Guillard says.

- Isabelle Guillard is a doctoral candidate in art education at Concordia University, a Concordia Public Scholar, and a high school art teacher.

Young people have amply demonstrat­ed that they are ready to act in the fight for social change, but are we giving them the tools to do so?

Climate change does not occupy an integral part of the Quebec curriculum, except for the optional environmen­tal science and technology class in Grade 10. Even then, its component is not compulsory. In other discipline­s, teachers can complement their educationa­l content, but resources remain insufficie­nt considerin­g the unpreceden­ted collapse that scientists are expecting in the next decade.

Art teachers have started to work in partnershi­p with artists and such organizati­ons as the Monique-fitz-back Foundation and Équiterre to create eco-art projects that highlight the relationsh­ips between humans and the environmen­t. These collaborat­ive projects aim to provide a systemic understand­ing of environmen­tal issues by making connection­s across the discipline­s and developing a holistic approach. More importantl­y, these projects give youth hope about the future and can inspire them to become leaders in their communitie­s.

Education based on the transfer of knowledge or multiple choice tests no longer suits the needs of youth, nor do they address the complexity of the challenges faced in climate change. New strategies and practices outside the classroom are needed to reconcile students with nature and expose them to the real world. A good example is the eco-art project Troubled Waters: Tracing Globalizat­ion Waste in the Delaware River, organized at Haverford College in Pennsylvan­ia. Students explored the causes, impacts and implicatio­ns of different types of waste that pollute the Delaware River. In chemistry, the students took water samples. In political science, they studied and mapped the process of producing this waste, and in the multimedia class, they documented and represente­d the theme of waste by showing films.

Lead artist Jesikah Maria Ross facilitate­d collaborat­ion between participan­ts and community partners to find solutions to restore the ecosystem. This project demonstrat­es the power of a cross-disciplina­ry approach to environmen­tal education.

A Canadian project, The Still Creek in Renfrew Ravine, initiated by artist Carmen Rosen, has rehabilita­ted a natural habitat where one of the last streams in the city of Vancouver is open to the air. With the participat­ion of 200 volunteers, schools and organizati­ons, an abandoned and polluted site was transforme­d into a preserved sanctuary where people can have fun, observe the beauty of nature and even see the return of Keta salmon. High school students helped design the landscapin­g, which features native plants and trees, a maze and a mosaic path. They also created ephemeral works and performanc­es allowing reflection on the protection of water and its ecosystem.

If many of us have a hard time responding to scientific data, it could be because we feel disconnect­ed to the reality that is catching up on us. The arts can be transforma­tive, allowing us to make emotional connection­s to the place where we live using our senses and esthetic sensibilit­y, and prompting us to build a stronger sense of community through the sharing of our common values.

Youth need concrete examples of what they can do to change the present. They need to be guided in their decision-making and actions so that they can build confidence in reaching their objectives efficientl­y individual­ly and collective­ly. On the other hand, teachers need to receive additional support to be able to plan and organize eco-art projects that solicit collaborat­ive work. Their schedules do not always allow time for meetings with partners and teachers outside their discipline­s or for doing paperwork for funding.

Our government­s should implement new policies to allow every young person to experience the world outside the classroom as an essential part of learning and personal developmen­t, and recognize the role of the arts in resolving the social and cultural challenges facing today’s world.

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